Francisco Cintrón Mattei

@franciscocintron.bsky.social

PhD Candidate in Medieval Studies at Notre Dame. Historian of Al-Andalus and the Mediterranean. Writing on laws in translation and societies in transition | 🇵🇷

All current HMML catalogers and curators contributed to a new exhibition, “Lost & Found in Translation." Co-curated by Dr. Jennifer Carnell and Rylie Owen, the exhibition explores the challenges of translation and the connections it fosters. View in-person and online: hmml.org/programs/exhibitions.

Exhibition. Lost and Found in Translation. A new exhibition on the challenges of translation and the connections it fosters. View at HMML in Collegeville, Minnesota, and online at hmml.org/exhibitions.

More on my Rome Prize project, “The Christian Imamate of Al-Andalus: Law, Society, and Christian Community in the Islamic West.” “The Rome Prize grants me the unique opportunity to expand the horizons of my dissertation, from the shores of southern Spain to the eastern Mediterranean.”

Ph.D. Candidate Francisco J. Cintrón Mattei awarded Millicent Mercer Johnsen Rome Prize // Medieval Institute // University of Notre Dame

The Medieval Institute is delighted to announce that Ph.D. Candidate Francisco J. Cintrón Mattei has been awarded the prestigious Millicent Mercer Johnsen Rome…

medieval.nd.edu

Honored to be among such an exciting group of Rome Prize winners. I’ll spend next year in Rome wrapping up my dissertation on the Christians of Al-Andalus, adding in material from eastern Christian-Arabic manuscripts. #medievalsky

Announcing the 2026-27 Rome Prize & Italian Fellows Program Winners

The American Academy in Rome is proud to announce today the recipients of the 2026–27 Rome Prize and Italian Fellows Program.

aarome.org

Digitization & cataloging is complete for the collection of the Armenian Church, Diocese of Aleppo: 174 manuscripts relocated from the Armenian Holy Forty Martyr’s Church in Aleppo. A rare survival from one of the most volatile centers of #Armenian Christianity. Learn more: https://bit.ly/49V9yXa

One highlight of the collection is an Armenian Gospel dating to 1338 CE (AODA 00033, pictured). An example of the Van Monastic School’s color, patterns, and artistry, the manuscript includes miniatures that illuminate episodes from the Gospels and the life of Christ. Originating from Arckē (modern-day Adilcevaz, Turkey), the manuscript was safeguarded and carried to Aleppo by survivors of the Armenian Genocide in 1919–1920, a testament to both its sacred significance and enduring historical legacy.

We have just published a newly discovered 1493 Arabic letter written by Boabdil, the last sultan of Granada, addressed to the Catholic Monarchs. It is the only known Arabic letter produced after the fall of Granada and documents his attempt to renegotiate the terms of his departure to North Africa.

Bild

Another beer post for the evening: In 1241, Pope Gregory IX informed Archbishop Sigurd Eindridesson (r.1231-52) that children who are baptised in beer can not be considered to have been properly baptised.

The Villa of the Birds located in Alexandria, Egypt hosts a stunning array of Early Roman mosaics conserved by five transnational agencies between 1998-2000. View more photos documenting the conservation process through the UCLA Library International Digital Ephemera Project: ucla.in/4nNOgOT

A composite of six top down photos of six of the seven bird mosaics. From left to right, top to bottom they display a parrot, gallinule, a damaged tile with an unidentified bird, peacock, duck, and dove.
A candid photo of conservator Ewa Parandowska cleaning the bird mosaics with a fine paintbrush-like tool. She sits on a sheet of cardboard and a cushion to avoid damaging the mosaics.
A top down photo of a panther mosaic being gently cleaned with a wet sponge. An unidentified hand reaches into the frame from the top with a sponge in hand.
A photo of the villa's three mosaics after conservation. The bird mosaics occupy the center of the photograph with a mosaic displaying a geometric floral motif visible in the foreground and the panther mosaic barely visible in the background. Wooden walkways for easy viewing are visible in the background and to the right, providing access to visitors without harming the mosaics.