Geräuschtasche

@geraeuschtasche.bsky.social

School librarian, cinema lover, angry woman and mum

Positioned above the historic main entrance along the Shinsaibashisuji arcade, this relief tympanum features the celebrated peacock (kujaku) lunette—perhaps the most famous single motif of William Merrell Vories’ masterwork for the Daimaru Shinsaibashi store. part 3 of 3

Positioned above the historic main entrance along the Shinsaibashisuji arcade, this relief tympanum features the celebrated peacock (kujaku) lunette—perhaps the most famous single motif of William Merrell Vories’ masterwork for the Daimaru Shinsaibashi store.

At the center stands a proudly sculpted peacock in polychrome glazed ceramic, its grandly fanned tail feathers picking out rich accents of cobalt blue, soft yellow, and sage green against a pale stone body. Framing the central bird are sweeping, classical acanthus scrollwork and floral arabesques set against a sky-blue ground, bounded by massive carved stone volutes and rosettes. Overhead, the arching pediment terminates in a decorative keystone carved with an urn motif, while a lower lintel band features a continuous frieze of detailed scallop shells and floral roundels. Blending Neo-Renaissance relief sculpture with Art Deco theatricality, Vories transformed the retailer’s avian emblem into an iconic monument of Osaka’s urban heritage.

BR: Bamberg testet Ladebordsteine für E-Autos - Platzsparend, unauffällig, robust: Statt über Kästen am Straßenrand können E-Autofahrer in Bamberg ihr Auto direkt am Bordstein laden. Diese neue Technik wird in der Weltkulturerbestadt getestet. www.br.de/nachrichten/...

Bamberg testet Ladebordsteine für E-Autos

Platzsparend, unauffällig, robust: Statt über Kästen am Straßenrand können E-Autofahrer in Bamberg ihr Auto direkt am Bordstein laden. Diese neue Technik wird in der Weltkulturerbestadt getestet.

br.de

Dieses Haus ist der Wahnsinn. Als ob jemand freie Flächen nicht ertragen konnte. Überall gibt es was zu sehen. Wenn ihr könnt geht’s dorthin.

musermeku | Kunst & Kultur News@musermeku.bsky.social · 2d ago

[Museums-Tipp] Londons Wunderkammer: Das Sir John Soane’s Museum in Holborn, direkt im Herzen von #London , ist eines der ältesten und wohl auch eines der ungewöhnlichsten Museen der britischen Hauptstadt: musermeku.org/john-soanes-... #museum #reisen #kunst #kultur #geschichte #architektur

In Benin erinnert das „Tor ohne Wiederkehr“ an Hunderttausende Menschen, die von hier nach Nord- und Südamerika als Sklaven verschleppt wurden. Ein Verbrechen gegen die Menschlichkeit, von dem Europa immer noch kaum etwas wissen will, seine rassistischen rechten Parteien noch weniger.

„Tor ohne Wiederkehr“: Mahnmal gegen die Sklaverei in Benin.

I work at a public library. People who want to use AI seem to have no trouble doing so. People who don't want to use AI have a harder time. I crowdsourced and then finalized this document "How to disable or avoid intrusive AI" and then gave it a short URL: notoai.org Please pass along if it's useful

An aircraft passenger oxygen mask: a drop down passenger mask with air bag and yellow plastic mouth and nose cover, oxygen tube has been cut; Demonstration model used by flight attendant crew for passenger instruction. Has text on the side indicating that it's non-functional.

Dr. Matthew Niemiller discovered a bizarre-looking fish in Alabama that resembles the stuff of sci-fi dramas – and, fittingly, it has been dubbed Demogorgonichthys arcanus, a name derived from the monster Demogorgon in the Netflix TV series “Stranger Things.” https://cnn.it/3RG3UlE

With broken hearts we announce the passing of Glen Hansard in the early hours of this morning. We are still dealing with the shock of it all, so we kindly ask that the privacy of Glen’s family, colleagues and friends is respected at this difficult time. . Photo by Mikolaj Rotowski

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Edited by the renowned artist and printmaker Ishii Hakutei (石井柏亭, 1882–1958) and published in 1916 (Taishō 5) by Oranda-shoten, this woodblock print plate originates from Gendai Meika Zuan-shū (現代名家図案集—"Collection of Designs by Modern Masters").

Depicting delicate fern fronds (shida) and unfurling fiddleheads emerging against a deep black field, the composition exemplifies the innovative spirit of early 20th-century Japanese zuan (applied design) albums. The design balances organic realism with graphic modernization, rendering the fronds in muted sage-green and earthy rust-red tones. Set off-center to emphasize negative space (yohaku), the rhythm of the delicate, saw-toothed pinnae and curled stems reflects the intersection of traditional Japanese nature motifs with contemporary European Art Nouveau sensibilities—a hallmark of Taishō-era avant-garde visual arts and decorative design.