G. E. Schwartz

@geschwartz58.bsky.social

words, etc.

November’s birth flower, the chrysanthemum, symbolises friendship and ‘cheerfulness in adversity’ in the Victorian language of flowers. According to folklore, wearing one protects against divine wrath, while chrysanthemums grown in the garden are said to keep evil spirits at bay.

Three pink chrysanthemums in bloom, with layers of soft pink petals surrounding darker rose-pink centres. Two large flowers face outwards at the top, with a smaller bloom below. Green leaves and stems stand against a softly blurred background of muted greens and browns.

"I leant forward, and peered over, and down into the Pit, just beneath where I stood; and saw no further than a hideous, white swine-face that had risen to within a couple of yards of my feet. As the Thing saw me, it gave an uncouth squeal, which was answered from all parts of the Pit." #BookWormSat

My 1972 Panther edition of 'The House On The Borderland' by William Hope Hodgson with its brilliant Ian Miller cover illustration.

'Restore her therefore to the earth, from which thou didst so foolishly recall her; and be sure to recollect thy oath: for, shouldst thou forget it but once, she would return, and thou wouldst be inevitably lost.' -Wake Not the Dead, Ernst Raupach. 🎨Victor Gilbert #BookWormSat

Painting title: Resting. Artwork of a blonde woman in black dress sleeping with her hands folded. Red background.

"The horror was too much for me, too unexpected. I screamed again and again. I could not take my eyes off him, I could not even close them, and yet I knew that if I looked at the horror much longer I would go on screaming for the rest of my life." - George Langelaan, 'The Fly' #BookWormSat #horror

Tatsuya Morino's not entirely serious (note the slippers!) illustration of 'The Fly'.

"The Deuill ... gaue vnto him a girdle which being put about him, he was straight transfourmed into the likenes of a greedy deuouring Woolf" ("A true Discourse. Declaring the damnable life and death of one Stubbe Peeter") "Werewolf of Bedburg" Peter Stübbe was executed #otd 1589 🎨 Barry Moser

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“Here comes a Jack-o’-lantern To frighten you to-night; Made from a hollow pumpkin With a candle for its light. Go off! You Jack-o’-lantern! You can not frighten me, You’re nothing but a pumpkin As any one can see!” ‘Jack-o’-Lantern’ – Anonymous (published by 1917). #Halloween

A collage of nine photographs of orange Halloween pumpkins, carved with a variety of expressive faces. Some have cheerful smiles, heart-shaped eyes or swirling eyes, while others have sinister expressions and jagged teeth. One wears a tiny, brightly coloured knitted hat. The pumpkins are arranged against rustic backgrounds of wood, stone and autumn foliage.

🕯️John Collier's painting 'All Hallow's Eve' for #FolkloreThursday 'At a quarter to twelve take a lighted candle and an apple, and finish eating the apple just as the clock strikes twelve, and then look in the mirror... (to see a future spouse)' (Fanny D.Bergen)

Painting of a young woman in a dark room sitting in front of a mirror. She is holding a lit candle. There is an apple on the table.

"O Eternal Lord God, who alone rulest the raging of the sea; who has compassed the waters with bounds until day and night come to an end;" ("Naval Prayer", 1662) Rest you easy, Captain. 🎨 J.M.W. Turner "Peace – Burial at Sea" (1842)

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As autumn fades into winter, bold, prickly teasel seed heads still bring wonderful structure to frosty hedgerows. If you’re lucky, you might spot a colourful goldfinch or two feasting on their seeds. The Anglo-Saxons called these beautiful little birds ‘thistle-tweakers’! #nature

Detail from ‘Goldfinches feeding’ (1928), a watercolour by British wildlife artist Archibald Thorburn (1860–1935). A colourful goldfinch clings almost upside down to a prickly teasel seed head, probing for seeds with its fine, pointed bill. Its bright red face, black and white head, warm brown plumage and striking yellow wing markings stand out against a softly painted background of grasses.