James Dalrymple

@jamesewand.bsky.social

Teaching/lecturing in France. Occasional academic. Cinema, books, music, vintage television, podcasts (usually while cooking for the family), teaching, life in France etc. Film reviews at: letterboxd.com/jamesewand/

First watch: Past Lives (Celine Song, 2023). Not sure what made me put this off so long, although I suspect that some Letterboxd reviews played a part. Although mostly positive, some were suprisingly vicious. Personally, I found it rather moving after a shaky start.

The poster for Celine Song's 2023 film Past Lives, featuring its two main stars Greta Lee and Teo Yoo on the subway in New York, looking at each other with some yearning, their hands almost touching on the rail

First watch: TOKYO TWILIGHT (1957) The grimmest Yasujirō Ozu film I've seen to date is a quietly powerful story of two sisters whose life struggles can be traced to being abandoned by their mother, despite a loving father who does his best to compensate. #FilmSky #MovieSky 1/4

Poster for the Japanese film Tokyo Twilight.

Now reading Thieves Like Us (1937) by Edward Anderson Depression era Texas noir! 🤌 Anderson only wrote 2 novels. His other (Hungry Men, 1935) was an account of hobo boxcar life based on his own experiences This has some overlap - like James M Cain meets You Can’t Win (1926) by Jack Black #booksky

Paperback cover for Thieves Like Us by Edward Anderson

New on the blog today, my thoughts on THE TRANSIT OF VENUS by Shirley Hazzard. A stunning novel about love, chance, fate, power dynamics & moral integrity, fully deserving of its status as a modern masterpiece. I loved the subtle use of foreshadowing here! jacquiwine.wordpress.com/2026/08/04/t...

The Transit of Venus by Shirley Hazzard

First published in 1980, The Transit of Venus is the third novel by the Australian writer Shirley Hazzard, an author I’ve been circling for some time. It’s also one of the best novels I’ve read so …

jacquiwine.wordpress.com

Two years ago I took redundancy from my temporary (22 years, as it turned out) part-time Creative Writing gig in academia. This new New Yorker cartoon by Guy Richards Smith neatly sums up what has happened to the Arts & Humanities since.

Dark haired man in an armchair (seen from behind) faces three managers (two smart females, one male in a suit) who are set at a table in front of a fireplace in a book-lined, high ceiling room. One of them, probably the woman in the middle, is saying "Not only are we denying you tenure–we're closing your department and setting the entire university on fire just to be safe."

CENTER STAGE (Stanley Kwan, 1991). Absolutely loved this beguiling insight into the life and work of the legendary Chinese actress, Ruan Lingyu, star of silent film in the late 1920s/early ‘30s. (She was known as the Chinese Greta Garbo back then.) (1/4) #FilmSky

Poster for Center Stage, showing a headshot of a very stylish woman (Maggie Cheung) looking down. She is immaculately dressed and made up.

"...Catherine Sloper's transformation is almost as impressive as Charlotte Vale's and makes one want to stand and cheer de Havilland, but it's underpinned by Richardson's deliberately unshowy turn..." My brief notes on THE HEIRESS on Letterboxd... #FilmSky boxd.it/fCjjtB

A ★★★★½ review of The Heiress (1949)

Catherine Sloper: "Oh, Father, don't you think he is the most beautiful man you've ever seen?" Austin Sloper: "Well, he's very good-looking, my dear. Of course, you wouldn't let a consideration like t...

boxd.it

About one third of the way into Michael Powell's autobiography and absolutely loving it. The descriptions of his childhood years living on a hop farm in Kent are beautifully evocative. He's like an old charmer, recounting tales over a bitter in some oak-panelled Soho boozer.

A Life in Movies: An Autobiography - Michael Powell

Lovely to see George Cukor's THE PHILADELPHIA STORY (1940) on the big screen at the Garden Cinema yesterday. Delightful in every respect, but what really stood out for me this time was Ruth Hussey's fab performance as the photographer Liz Imbrie. She's sharp, knowing & wonderfully humane. #FilmSky

Ruth Hussey as Liz, wearing a stylish suit and a rather wonderful hat. She’s holding her camera in her hands while looking at something off-screen to the right of the frame. Colour poster for the film showing illustrations of Katharine Hepburn sandwiched between Cary Grant and James Stewart.