James Seidler

@jamesseidler.bsky.social

Gary has a terrible history of neglect and disinvestment rooted in racism, but the power outages are affecting a broad swathe of Northwest Indiana. I am fortunate to live in a well-off area, and I still don't have power nine days after the storm.

Olivia Hill@machineiv.bsky.social · last mo.

It's actually more than just Gary. Parts of Hammond and Munster are dead too. Today I was driving and multiple streets were blocked because of all the people applying for disaster relief. The line of cars was more than a mile long.

I create Facebook/Meta ads once a year for a small family-run event, and I am stunned at how bad the platform and interface have gotten. You have to wade through prompt after prompt to turn off AI optimizations that would have looked amateurish on a JibJab animation 20 years ago.

Doing a full listen through the Grateful Dead discography, and I was surprised how well "Shakedown Street" landed. It's slick, but the cleanness lets you hear how tight the band it and how inventive Jerry is with his lead lines. I guess I'm ready for my Steely Dan phase...

Kevin Morby's masterful 'Little Wide Open' is out today. Morby took us through the album track by track, sharing in-depth insights about the writing and recording process that led to these remarkable songs. Stream the album and read our interview:

The Story Behind Every Song On Kevin Morby's Masterful New Album 'Little Wide Open'

Kevin Morby just released his masterpiece. Little Wide Open, out today, is the folk-rock singer-songwriter’s greatest collection of songs to date. The album presents an interconnected batch of reflect...

stereogum.com

If you're looking for something to dislodge that Gordon Lightfoot earworm, tomorrow is ALSO the 50th anniversary of Patti Smith's debut album. Like Bruce Springsteen says, starts with "probably the greatest opening line of anyone’s debut album in rock ’n’ roll." This is a fun piece:

Patti Smith’s ‘Horses’ Celebrates Its 50th Anniversary (Gift Article)

In 1975, she transformed poetry into punk. Neither would ever be the same. More than 20 artists who made and admired the album share their memories.

nytimes.com