Jens Notroff

@jensnotroff.com

#Archaeologist🏺, got a hat (no whip though). Once known as "Yunus" among Bedouins. Demanding a revival of the venerable profession of the #ExpeditionPainter👨‍🎨. 🔗 jensnotroff.com 🔗 trowelandpen.com

Heading to the airport now and looking forward to my first time in Berlin and first time at the European PPAs! If you’re a presenter who is interested in media coverage, hit me up! 🧪🏺

DAI@dai-weltweit.bsky.social · last wk.

💬 #Conference: Next week our Natural Sciences division is inviting to #ppa26Berlin - the 25th European Paleopathology meeting taking place every two years. 🗓️ 03.-07.08.26 📍Langenbeck-Virchow-Haus, Berlin 🏺 Full programme and further info: www.dainst.org/en/the-25th-...

Graphic showing Berlin's TV tower to the left a several hand in blue latex gloves carrying bones or tools like a brush, reaching into the image form all sides. In the centre the following text can be read:

25th
European
PPA
Meeting

Really looking forward to meet @killgrove.bsky.social, Sabrina Scholts, anthrofuentes.bsky.social, and Johannes Krause - and to discuss this as well as further questions on the ethics and implications of archaeological and anthropologic research from aDNA to zeitgeist.

DAI@dai-weltweit.bsky.social · last wk.

Including an open event on Wednesday, 05.08.26 evening: Join "The Future is Written in Bones", a public roundtable discussion on how #anthropologists can, could, and have reshaped our understanding of what it means to be #human. cfp.dainst.org/25th-europea...

Graphic showing the portraits of three men and two women (Augustin Fuentes, Princeton University; Kristina Killgrove, Live Science; Johannes Krause, Max Planck Institute; Sabrina Scholts, Smithsonian's NMNH; Jens Notroff, DAI Berlin) under the headline "The Future is Written in Bones", next to the even logo, a human skeleton climbing the Berlin TV tower. To the right the logos of DAI, Charité and the Gesellschaft für Anthropologie. At the bottom the PPA logo and the text: "25th European PPA" as well as "5th August 2026, 17:30-19:00".

Welche «Wahrheiten» produziert KI? Die höchst sehenswerte Keynote meines hochgeschätzten ZHdK-Kollegen Felix Stalder auf der Tagung «Schreibt KI Geschichte?», die Anfang Juni am Haus der Wannseekonferenz @wannseekonferenz.bsky.social stattfand, ist jetzt online www.youtube.com/watch?v=QXRA...

Analyse und Generierung. Die Wahrheiten der Künstlichen Intelligenz. Prof. Dr. Felix Stalder, Zürich

YouTube video by Haus der Wannsee-Konferenz

youtube.com

Important female individuals and "shamans" in past societies is of course neither a surprise nor new and this debate's a good reason to reconsider our perception of more such burials and finds: trowelandpen-com.translate.goog/2025/07/30/v... (automatic English translation, original text in German)

Von wegen blond: Wie anhaltende Forschung andauernd unser Bild der Vergangenheit verändert

Aus einer gewissen Affinität zu Comics, zu solchen mit archäologischen Themen sowieso, habe ich an dieser Stelle ja keinen Hehl gemacht. Da sollte es wenig wundern, dass ich, natürlich, auch an der…

trowelandpen-com.translate.goog

Jens Notroff@jensnotroff.com · 5d ago

The #BronzeAge #UptonLovellShaman​'s burial in Wiltshire has long been considered an important religious figure & metalworker. It's been barely questioned someone of such status must be male. But now #aDNA analysis revealed that the body is in fact: a woman. 🏺 www.theguardian.com/commentisfre...

The #BronzeAge #UptonLovellShaman​'s burial in Wiltshire has long been considered an important religious figure & metalworker. It's been barely questioned someone of such status must be male. But now #aDNA analysis revealed that the body is in fact: a woman. 🏺 www.theguardian.com/commentisfre...

The Guardian view on ancient DNA: a female shaman exposes our flawed assumptions about the past | Editorial

Editorial: Thanks to new technology we are are acquiring insights into earlier times, and realising how little we truly know

theguardian.com

If you’ve seen this article, you may be sitting with anger, pain, or just exhaustion at dealing with another helping of colonial nonsense. We feel a responsibility to speak back when these colonizing narratives show up, yet again, in such a prominent venue. endangeredlanguages.com/story/respon...

New Yorker article title "Sometimes It's Okay to Let a Language Die" with "Sometimes It's" crossed out in red ink and "IT'S NOT" written above it. To the right is text "A Response to The New Yorker" and the ELP logo.
The New Yorker@newyorker.com · 2w ago

The idea that we have a special duty to prevent the death of languages is instantly compelling to anyone who loves languages. But is it true? www.newyorker.com/magazine/202...

Really looking forward to meet @killgrove.bsky.social, Sabrina Scholts, anthrofuentes.bsky.social, and Johannes Krause - and to discuss this as well as further questions on the ethics and implications of archaeological and anthropologic research from aDNA to zeitgeist.

DAI@dai-weltweit.bsky.social · last wk.

Including an open event on Wednesday, 05.08.26 evening: Join "The Future is Written in Bones", a public roundtable discussion on how #anthropologists can, could, and have reshaped our understanding of what it means to be #human. cfp.dainst.org/25th-europea...

Graphic showing the portraits of three men and two women (Augustin Fuentes, Princeton University; Kristina Killgrove, Live Science; Johannes Krause, Max Planck Institute; Sabrina Scholts, Smithsonian's NMNH; Jens Notroff, DAI Berlin) under the headline "The Future is Written in Bones", next to the even logo, a human skeleton climbing the Berlin TV tower. To the right the logos of DAI, Charité and the Gesellschaft für Anthropologie. At the bottom the PPA logo and the text: "25th European PPA" as well as "5th August 2026, 17:30-19:00".

Ab Donnerstag können rund 350 Millionen EU-Bürger:innen mitentscheiden, wie ihre Geldscheine künftig aussehen sollen. Auf der Webseite der Europäischen Zentralbank (EZB) sind die Motivvorschläge veröffentlicht worden. Bis zum 21. September kann die Umfrage ausgefüllt werden. rbburl.de/geldscheineneu

Unscharfer Hintergrund mit Euro-Banknoten und einem geöffneten Portemonnaie. Im Vordergrund sind ein Eisvogel und das gravierte Porträt einer Frau aus einer Banknotenillustration freigestellt. Darüber steht auf rotem Balken „VÖGEL ODER PROMIS?“ und in weißer Schrift: „Bürger:innen können über neue Motive auf Euro-Scheinen abstimmen“. Unten links das Logo „rbb 24“. Am rechten Rand die Quellenangabe: „Bild: picture alliance / Steven Mohr; Frank Leo; Colourbox“.