Jin Xu

@jin-xu.bsky.social

https://arthistory.columbia.edu/content/jin-xu

Cover of my forthcoming book 𝑇ℎ𝑒 𝑆𝑖𝑙𝑘 𝑅𝑜𝑎𝑑 𝑤𝑖𝑡ℎ 𝑀𝑎𝑛𝑦 𝐹𝑎𝑐𝑒𝑠: 𝑆𝑜𝑔𝑑𝑖𝑎𝑛 𝐼𝑚𝑚𝑖𝑔𝑟𝑎𝑛𝑡𝑠 𝑖𝑛 𝐸𝑎𝑟𝑙𝑦 𝑀𝑒𝑑𝑖𝑒𝑣𝑎𝑙 𝐶ℎ𝑖𝑛𝑎

Bild

Ars Orientalis is open access and welcomes individual submissions. It’s one of the leading journals for publishing research on Asian art. Please spread the word and consider submitting your work!

Bild

Encyclopædia Britannica will continue to use ‘Gulf of Mexico’ for a few reasons: -We serve an international audience, a majority of which is outside the U.S. -The Gulf of Mexico is an international body of water, and the U.S.’s authority to rename it is ambiguous. 🧵⬇️

Contra the usual gaudy Qing ceramics, here is the Kangxi Emperor’s favorite rouge glaze: 胭脂紅. Palace medical records noted that Kangxi (1654-1722) was cured of his depression (after his favorite son’s death) by red wine, brought to him by a Jesuit missionary. Hence the commemorative wine-red glaze.

Wine-hued glaze, Qing dynasty cup

Reading the beginning of this transcript, I realized that @iandenisjohnson.bsky.social at Peking U in 1984 must have met a bunch of students who were friends and acquaintances of mine. I never crossed paths with him however. My Beida days stretched from 1979 to 1983: www.youtube.com/watch?v=GhoD...

Peking University March-April 1983 北大 1983年 3-4月

YouTube video by The G. B. Lee Archive

youtube.com

Filip Noubel@nasredinhoja.bsky.social · 2y ago

“As a foreign correspondent in #china, it was a weird feeling that you really need to be more of a sociologist/anthropologist rather than this hard-nosed driven journalist.” #wangxiaobo chinabooksreview.com/2024/12/10/p... @iandenisjohnson.bsky.social @vivianwu.bsky.social @heliuleo.bsky.social

It's mind-boggling to stand in front of this monumental calligraphy piece in the grand entrance hall of the Metropolitan Museum, created this year by Taipei-based artist Tong Yang-Tze, at her age of 82.

Bild

Sinology 🀄 time! OK, just for a change of pace, a thread about Northern Wei funerary gifts. I remember reading the biography of Xianbei elder statesman Qiumuling Liang 丘穆陵亮 and being struck by a list of imperial gifts to him at the time of his funeral in 502. (1/15)

I hope my new article does justice to Dunhuang Cave 257, where narrative paintings, I argue, subvert traditional power dynamic between male viewers & female subjects. Here, male characters—young monk, beautiful stag, Buddha—are subject to the intense gaze of a female audience. Virtual tour link↓

BildBild