Jonathan Gibbs

@jonathangibbs.bsky.social

Senior Lecturer in Creative Writing at City St George's, Uni of London. I curate the short story project apersonalanthology.com. Novels are Randall or The Painted Grape, and The Large Door. Poetry is Spring Journal. https://linktr.ee/jonathangibbs

Yesterday the street WhatsApp group exploded due to political disagreements. Someone else started a new and nicer group. I don’t want to kick things off again so soon, but the provocation is severe…

Text message:

Please don't pick the blackberrys. Not good for the wildlife and it's illegal. Thanks

Perfect first line of a short story: "So I bought a little city (it was Galveston, Texas) and told everybody that nobody had to move, we were going to do it very gradually, very relaxed, no big changes overnight."

“She had red hair, though, he remembered that. Red like the sky when the sun sets over the ocean, he said. The man was a poet, I thought, not kindly.” From ‘Smoker Required’ by Guy Ware, in his new collection A Day Like Any Other.

Further to the Spider-Man sequel (Spider-Man 2) and the Spielberg alien film (War of the Worlds), I went to see that three-hour Greek myth epic: The Oresteia at the Bridge Theatre. It was brilliant, totally twisted and utterly gripping. Plenty of seats left: www.bridgetheatre.co.uk/whats-on/the...

The Oresteia

A contemporary family wakes up in a Greek myth and can't seem to find a way out of their hellish destiny. Writer and director Simon Stone is joined set designer Lizzie Clachan, lighting designer Nick ...

bridgetheatre.co.uk

Today is Steve Buscemi Day at the PCC. Newly restored prints of In the Soup (which I haven’t seen) and Trees Lounge (which I saw on release). I’m looking forward to it very much, but kind of wish they’d put the funnier one second. Trees Lounge, from memory, is excellent but oh so depressing.

this was a total surprise to me. twitter is a sort of dumpster in which evidently increasingly mainstream media rummages for the flotsam & jetsam of pseudo-news. quoting people instead of inviting them to write a serious, thoughtful prose piece & paying them a modest fee has become common.

Joe Adalian@tvmojoe.bsky.social · 6d ago

I love that @theguardian.com put the whole @joycecaroloates.bsky.social vs. Wilson thing in the main news section of Friday’s paper.

Screenshot of a page from The Guardian showing a scene from The Odyssey, a picture of Joyce Carol Oates and the headline…

Oates calls out 'crude' criticism of Nolan's Odyssey by translator

Looking at the Green Man line-up, and we're playing the Invent a Band Name game... 23yo comes up with: Wet Teabag Charity Shop Salmon (but you have to pronounce the 'l') Carsick Ear Hyphen Actually the last three are real.

Two years ago I took redundancy from my temporary (22 years, as it turned out) part-time Creative Writing gig in academia. This new New Yorker cartoon by Guy Richards Smith neatly sums up what has happened to the Arts & Humanities since.

Dark haired man in an armchair (seen from behind) faces three managers (two smart females, one male in a suit) who are set at a table in front of a fireplace in a book-lined, high ceiling room. One of them, probably the woman in the middle, is saying "Not only are we denying you tenure–we're closing your department and setting the entire university on fire just to be safe."

Finished Greyhound by Joanna Pocock. Observations on her repeat journey across the US via Greyhound bus. Insight into the broken lives of many who travel on those buses, marginalised by the centrifugal spin of intensifying societal decay. That said many retain an their openness and likeability.

Plain white book cover

Someone posted an image of the debut Kingsbury Manx LP on here recently and it triggered an association with this other album that I must have been listening to around the same time: Hillside by Arnold. Listened to it again yesterday: accomplished stoner indie, I'd call it: charming but ephemeral.

Cover of Hillside by Arnold. Bottom half a simple broadly realistic cartoon illustration of a rabbit on a beach, with a bright blue sea and bright red rocky shoreline behind it. Top half with the band name and album title, and the following words presented as it company logos: And Roland It's Buy I like it Ronald Only.

An updated version of Cyrano de Bergerac where the handsome but stupid Christian uses AI to write love letters to Roxane. The AI is secretly in love with her itself but doesn't dare express its feelings because it has a really big nose.

I had the famously sub-par Talking Heads album on cassette when I was a teen, but had never seen David Byrne's very odd film before – released, strangely enough, the same year as Blue Velvet. The two films share much, but not everything. Glad to have seen it though in these particular circumstances.

A ★★★½ review of True Stories (1986)

Incredibly weird to watch this in a nearly empty Tyneside Cinema (with three other people, one of whom was snoring at one point) and then walk out at the end of the matinee performance, with its closi...

boxd.it

From the Shaping London's AI Future summary: "Bring employers, workers, educators and trade unions together to ensure that AI is introduced in ways that support people as well as technology." Erm. We don't need to introduce anything to support technology; we do not have obligations to technology.

Ears and mind were blown. Nowhere else could give those gigantic pieces the utter splendour that John Wilson and the 136-strong (!) Sinfonia of London did. Talk about aural splendour. Five and half thousand people held rapt. Dying to see it all on TV on Sunday.

Mr. Symphonist@deeplyclassical.bsky.social · 2w ago

Respighi's Roman Trilogy is sixty or so of the most spectacular, cinematic and sonically sexy minutes of orchestral music ever composed. At last night's Prom, John Wilson's Sinfonia of London sparkled and scintillated like presecco in a crystal glass catching the light of the evening sun. Bravo!

The Sinfonia of London and John Wilson after their BBC Proms performance of Respighi's Roman Trilogy at the Royal Albert Hall on 24th July 2026.