Dr Kush Patel

@kshpatel.bsky.social

critical DH pedagogy; queer- and trans-feminist digital technologies; community archives and bibliographies; art, architecture, infrastructure, and the city | educator, writer, public scholar | use: they/them https://whospeaksandacts.net/

Yesterday’s serendipitous meeting with the people of Obsidian Bookshop at a local market pop-up was lovely. I picked up a copy of “Or: An Autobiography,” a self-described poetic assemblage and an homage to androgyny and the non-binary, building upon and with Virginia Woolf’s Orlando. Hello, Sydney.

My thanks to the organizing committee for extending such a warm invitation to deliver the conference keynote online. To talk about care labour tied to leading and stewarding a queer- and trans-feminist DH lab against academic patriarchy felt just right in the present. amu.edu.pl/en/welcome-c...

International conference ‘Queer: Present! Visibility Through the Body’ - Adam Mickiewicz University, Poznań, Poland

Soon, Adam Mickiewicz University, Poznań, will become a forum for the exchange of ideas during the international academic conference

amu.edu.pl

Back to the city of joy, where walking to places and with people—sweatily and (un)hurriedly—is everyday life. If yesterday was all about the central city (peaking at Hogg Market), today will be at a local queer archive and among its publics. The image is from a once alive bird site three years ago.

This week, I've been experiencing new recesses in and connected to the memory lanes of a city otherwise familiar; a city always made visceral by the large pedestal fans of a musty bookshop, or one where queerness comes to life in the most ordinary of sweaty convos in transit. The experience of new and protective nooks in the memory lanes of a city once lived continue into this week, thanks to encounters both serendipitous and long awaited. The heat feels different here but the warmth of these connections underpins our queer and trans everydayness. Two tweets each from June 21, 2023, and June 27, 2023.

Where fiber history meets Pride. This is a large piece (10x28') of one of the two original 30x60' pride flags, the only known surviving section of either. They were designed, hand dyed and sewn by a community of queer artists. The colors are slightly different from most rainbow flags today.

Long-Lost Fragment of First Rainbow Pride Flag Resurfaces After Four Decades

The brilliantly colored banner—now on view in San Francisco—flew on "Gay Freedom Day" in 1978

smithsonianmag.com

Concluding with grounded practices of hope and a shout-out to Mariame Kaba, we—@acarantomorford.bsky.social, @arungapatchka.bsky.social, and I—see "hope as an infrastructure itself, cobuilt in connection with lands, waters, and cyberspace, moving us to BYOI: as Build Your Otherwise Infrastructure."

Alan Liu@alanyliu.bsky.social · 2mo ago

From Ch. 14, “Resisting BYOI (Bring Your Own Infrastructure) in Digital Humanities Learning Spaces” by @kshpatel@mastodon.social, Ashley Caranto Morford, & Arun Jacob dhdebates.gc.cuny.edu/read/critica..., in _Critical Infrastructure Studies & Digital Humanities_ @UMinnPress@mastodon.social

Text excerpts from Ch. 14, “Resisting BYOI (Bring Your Own Infrastructure) in Digital Humanities Learning Spaces” by Kush Patel, Ashley Caranto Morford, and Arun Jacob (Pedagogy of the Digitally Oppressed Collective), in _Critical Infrastructure Studies & Digital Humanities_ (pp. 277, 278 in print ed.):

"We have crafted a fictional creative writing piece—a Twine narrative (discussed later in this chapter)—based on our own lived experiences but set within fictional institutions and using fictional technological platforms…. Our Twine narrative is set at the beginning of the global Covid pandemic and consists of a series of email chains. Readers follow the experiences of faculty, staff, students, and precarious workers at postsecondary institutions in India, the United States, and Canada as they navigate changes to educational processes and organize their activities through online infrastructures…."

"In the accompanying reflection that follows the Twine story, we provide a rationale and analysis of the creative piece involving three concepts: responsibilization, crisortunity a crisis situation presenting the opportunity for someone to gain something], and digital infrastructural otherwises. With each of these concepts, grounded in specific sociotechnical realities, we reflect on the possibility of reimgining infrastructure to enable more care-filled and just teaching, learning, and organizing…."

Check out this month’s Felt Notes 💌 on Power (buttondown.com/JustFuturesC...) or the coming together of worlds from graduating lab works, lab pop-ups, Vikalp, and SSSHARC to The Just Archives Collaboratory site, archival bootcamp, and resisting BYOI (Bring Your Own Infrastructure) in DH book chapter

Power

ID: The Just Futures Co-lab Pop-Up called “Queer Passages” for, with, and at Vikalp’s Art Exhibition on May 28, 2026. Queer Passages brought together...

buttondown.com

Meeting N++l after a few months and since their successful top surgery is sheer happiness. There’s still so much to talk, for me to learn, and for us to catch up on life and after care in these times. Such has been the experiences of this week w/ and alongside the Vikalp art exhibition: heartening.

Dr Kush Patel@kshpatel.bsky.social · 2y ago

In this whirlwind of a visit to Baroda, my queer-trans meetings, encounters, and convos w/ groups, collectives, individuals, and allies—including the queen herself, have been a high like no other. Gajra café, thanks for being that space, community, and tentacular presence for me in the city. 💜

A table runner in bright pink, teal, yellow, and black woven threads.

The pop-up had curiosity, heart, and translation in languages more than one, thanks especially to Maya who facilitated these connections brilliantly. Folx had seats at the table; the video offered a context for discussions; and we moved w/ and between the hypertexts and lab resources in group talks.

People seated at a long linear table with four laptop computers on one side and a table runner print in brown on the other side. The table also has sheets of paper in pink and white, and is helmed by Maya Sharma at the end and a television unit behind her, playing a video with a view of a similar tabletop setting from the Just Futures Co-lab. The exposed brickwork of the walls is contrasted with visual art work on each of the longer sides of the gallery.

The Just Futures Co-lab will be setting up a pop-up display at Vikalp’s exhibition next week. Being part of the curatorial team, I’m also eager to be in community w/ artists and cultural organizers as we ask questions about the aesthetics of resistance, incl. values normativized w/in queer cultures.

The poster of the art exhibition entitled Dialogues of Collective Solidarity led by Vikalp Women’s Group, hosted by Nau Foundation, and supported by Samvedana Foundation in Vadodara. The exhibition will run from May 23rd to May 31st in the evening hours from 5pm to 8pm each day. The core poster text reads as follows: In these times of global strife, Vikalp brings together contemporary artists from the LGBTQIA+ community and allies working in visual, textual, and performance art. The exhibition is an invitation into a space of reflection, healing, and repair, and a collective dialogue across identities and communities as we locate solidarity and freedom at the heart of queerness. All text is in color black and set against the background image of a clear blue sky with soft wooly clouds and green trees.

It’s the eve of my students’ graduate show and final exhibition as members of The Just Futures Co-lab—and I couldn’t be more enlivened by the work that has come into being and the worlds that we will continue to build moving forward.

An invitation poster from the MA Contemporary Art Practice and MDes Human Centered Design students at The Just Futures Co-lab on Srishti Manipal campus announcing the Graduate Show dates of May 16th and May 17th, 2026. The exhibition titled Acts of Knowing will run from 10am to 5pm on both days and the accompanying programming will include a performance and film screening in their respective studio and lab spaces. The poster in white and with the  text in black has colored dots and a colorful lab seal.

I defended my PhD 10 years ago today. That was the least remarkable thing that happened that day. Sharing something I wrote about it last year. Since then "the horrors persist but so do we." And with dignity.

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“Many discussions still approach AI primarily as a digital technology, but in many of these countries, AI is becoming visible through the infrastructures that sustain it: data centers, mineral extraction, energy demand, water-intensive cooling systems, and digital labor chains…”

From Chile to the Philippines, meet the people pushing back on AI

Individuals and communities are resisting the demands and practices of Big Tech's AI infrastructure — such as data centers and digital labor — due to their environmental and social costs.

restofworld.org

“it would deny ppl IDs, medical boards would examine ppl that need no examination, transmen would be declared to have never existed, intersex persons would be reframed as req correction, social workers will be afraid to support persons w/o yet a lang for what they feel” theleaflet.in/leaflet-repo...

Architecture of Erasure: How the Trans Amendment Bill 2026 erases those it claims to protect

Amidst a global backsliding on trans rights, India’s new amendment threatens to erase, forget, retrospectively deny and breach into the lives of trans-people, unmaking all that the NALSA judgment had ...

theleaflet.in

Back in Vikalp where the work of organizing around art and queer freedom is being inflected by the sheer immediacy of organizing against the supremely unconstitutional Transgender Persons Amendment Bill released this week.

Among Queers and Queens, and with our many sharings and laughs all throughout the night, my heart is full. The effervescence with which Maya holds space for us is inimitable, bringing the words and worlds of "Footprints of a Queer History" to life in more ways than one.