Maria Dahvana Headley

@mariadahvana.bsky.social

NYT-bestselling, Hugo Award winning monster and myth maker. Most recently, VERGIL! A Mythological Musical (Audible) , Beowulf: A New Translation, The Mere Wife, & many other items in the wondertale category & beyond. https://linktr.ee/mariadahvanaheadley

If you're part of the SFF Community you know Sheila - and if you don't know her personally, you know the work she's done. She's a kind and inspiring person who's been kicking ass editing and helping writers for years and years. If you've got some to give, give some. ❤️

Clarkesworld@clarkesworldmagazine.com · 5d ago

Ok folks, Sheila and her family need our help. You might know her as the editor of Asimov’s, but she's also a good friend and one of the best people in the field. If you can, please... www.gofundme.com/f/help-irene...

Here's a fundraiser for bridge care for Sheila Williams - the legendary SF editor. She had a series of bad health events in December & she's making major progress but...American healthcare! She was her husband's primary caregiver too. All of this is a lot. Help out if you can. gofund.me/309ee2b0c

Donate to Help Irene's Parents Get Skilled Nursing Care, organized by Irene Bruce

Hi - This is Irene and Juliet, the daughters of Sheila and David. As many of… Irene Bruce needs your support for Help Irene's Parents Get Skilled Nursing Care

gofund.me

John Crowley was a kind & generous man, one of a handful of really great writers I have been lucky enough to know. He showed up for the SF Symposium I organized for Grolier Club exhibition A Conversation larger than the Universe (2018). Here he is with @mariadahvana.bsky.social / it was a fun party

Maria Dahvana Headley and John Crowley at the SF Symposium for 2018 Grolier Club exhibition A Conversation larger than the Universe. Photo by Houari B
Maria Dahvana Headley @mariadahvana.bsky.social · 6d ago

I'm sorry to hear that John Crowley has left the land of the living. Whenever we happened to meet, we talked about strange wonders and lost languages. He had a mind full of magical things, and was always delighted to discuss. May he travel to an interesting ever-afterlife.

Two authors at a panel discussion table, a microphone between them. One is me, in a gold brocade dress, smiling and looking down at a book, and the other is John Crowley, author of Little, Big among many other books. He's got glasses, white hair and a small white beard, and he's smiling and looking happy. This is 2018 at the Grolier Club, and we're talking about the history of fantasy literature, at the invitation of Henry Wessells.

Working, working & spending the whole summer cleaning out my mom's house & putting her to rest, while also traveling the whole west & never going home. We've been traveling since June 13. Her memorial is in Boise, 8/22, & then we fly. School starts for Grim on 8/24. I'm frriiiiiiiiiiied.

Farewell to John Crowley. Though he was respected and won awards, he's long seemed to me phenomenally under-appreciated for the level of his work. (The short stories alone would be enough to solidify any other career as that of genius.) One day maybe the world will catch up to his wonder.

Gil Roth & his Virtual Memories Show@vmspod.bsky.social · 6d ago

RIP #JohnCrowley. Go read LITTLE, BIG, the AEGYPT cycle, KA, ENGINE SUMMER, and more. One of the most amazing, inventive writer I ever recorded with. Our talks: 2013 - chimeraobscura.com/vm/podcast-r... 2017 - chimeraobscura.com/vm/episode-2... 2022 - chimeraobscura.com/vm/episode-4...

photo of author John Crowley in 2013, sitting at a table in a hotel room beside copies of his novel LITTLE, BIG, with a microphone on the right side of the show. He's wearing a white sport coat and green button-down shirt

Sorry to learn we've lost John Crowley, seen here during happier times at Readercon 2007 with Paul Di Filippo. Readercon was where we had our best chats, which meant even while I enjoyed this year's gathering, I was still conscious at times of his absence, and the hole it left. He will be missed.

My photo of John and Paul at the 2007 Readercon. John's in a blue polo shirt, Paul in a red plaid short-sleeved shirt. John has books and papers under one arm. Paul is wearing a Readercon ID badge.
Post nicht verfügbar.

I'm sorry to hear that John Crowley has left the land of the living. Whenever we happened to meet, we talked about strange wonders and lost languages. He had a mind full of magical things, and was always delighted to discuss. May he travel to an interesting ever-afterlife.

Two authors at a panel discussion table, a microphone between them. One is me, in a gold brocade dress, smiling and looking down at a book, and the other is John Crowley, author of Little, Big among many other books. He's got glasses, white hair and a small white beard, and he's smiling and looking happy. This is 2018 at the Grolier Club, and we're talking about the history of fantasy literature, at the invitation of Henry Wessells.

larger implications aside it’s always funny when an LRB piece breaks containment because it’s like a crowd shows up with machetes on your porch and you are. an old Man whittling whistles or making cups out of willow bark

the ideal academic life is being an eccentric Victorian lord. Invent a stamp licking machine at 22. Get elected to the Royal Academy for counting the beetles on your estate. Die in an arsenic explosion. The perfect life.

💯 And I’d add that the opinions of academics/translators, while obviously valid and important, are just inevitably going to be skewed in a certain direction. If you’ve spent your whole professional life studying a specific text, you will be attached to it in a way no adaptation can likely satisfy.

Maria Dahvana Headley @mariadahvana.bsky.social · 3w ago

Thing about working with famous epics is that they're famous epics for a reason. Tons of people have had opinions about them for millennia. If you're going to work with one, you know your version is going to piss some people off. Even a *sedate* famous epic inflames some of its audience.

Thing about working with famous epics is that they're famous epics for a reason. Tons of people have had opinions about them for millennia. If you're going to work with one, you know your version is going to piss some people off. Even a *sedate* famous epic inflames some of its audience.

Some items from my mom's estate are in my possession to be sold - & I thought I'd offer them up to people I know who like gorgeous things! I'm likely going to list them somewhere if I don't sell them myself. 1) a 1st edition The Ship That Sailed to Mars (1923), in great shape. DM if you want info.

The cover of The Ship That Sailed To Mars, by William TImlin - bound in gray paper with a creamy gilt and leather spine. The book is handlettered and illustrated with watercolor plates. It's beautiful. The gold and cream spine of The Ship That Sailed to Mars with some gilded planted and a golden edged sky ship.

This year, man. It's hard to lose your mom, and simultaneously try to find creative work inside your skull, then, just as you're coming back to yourself, to go into her house and sort through all her papers and photos and favorite things. And we still aren't at her memorial yet. 💔