Monica Cure

@monicacure.bsky.social

Romanian-American poet, writer, translator, and dialogue specialist. Latest translation: THE SUMMER MY MOTHER HAD GREEN EYES by Tatiana Tibuleac, Deep Vellum Upcoming translation: Deep Fakes: Collected Poems by Dan Sociu, World Poetry Books 2026

Happy International Translation day! No better gift than having my latest translation in my hands. The earthy-ethereal, brutal-gentle poems by Dan Sociu in Deep Fakes will be available from World Poetry Books, with a beautiful cover by Ana Maria Micu, starting next week.

BildBild

✨ TOMORROW❗️ A Radical Proposal: Why literary translators should see themselves as workers and how building solidarity will lead to better working conditions across the industry, and ensure a more vibrant, diverse, and sustainable literary ecosystem not only for translators but readers too.

Center for the Art of Translation (CAT)@catranslation.org · 3w ago

Tomorrow/Thursday! 💫 Join us for a day full of panels celebrating the power of human connection across languages at our 7th Day of Translation! In-person at The Center for Fiction in Brooklyn, NY and livestreamed worldwide (rsvp or ticket required). We hope to see you there: buff.ly/EbyZA3b

Day of Translation, September 24, 2026 in Brooklyn at The Center for Fiction.

I love this new Substack by Beca Sandu, an exploration of women's subjectivity -- and especially that of her mother and grandmother in Communist Romania. It's hard to describe what it is, you just have to read a few entries. Feels totally fresh to me as an approach. justmeandthebear.substack.com

Just Me and the Bear | Rebeca Sandu | Substack

Notes on women's subjectivity inside and beyond dictatorship. Click to read Just Me and the Bear, by Rebeca Sandu, a Substack publication. Launched 24 days ago.

justmeandthebear.substack.com

Dallas! Chicago! NYC! SF! DC! Tatiana Tîbuleac and Monica Cure are coming to you on an incredible 5-city tour to celebrate The Summer My Mother Had Green Eyes — sponsored by the Romanian Cultural Institute! We’ll see you there.

Bild

"I’m not the first translator to say that translation can feel like a seance. There are all these voices and references at play in the text, and then you channel them like a medium – what do you hear, what do you mishear?" Michelle & I interviewed by English PEN pentransmissions.com/2026/02/19/n...

Nothing Is Real, Everything Is Real: An Interview with Michelle Steinbeck and Jen Calleja

Michelle Steinbeck and Jen Calleja on fascism, femicide, and ghosts.

pentransmissions.com

"The scheme recouped more than its net cost of €72m through increases in arts-related expenditure, productivity gains and reduced reliance on other welfare payments, according to a government-commissioned cost-benefit analysis." Empower the arts ✊ www.theguardian.com/world/2026/f...

Ireland’s basic income for the arts scheme becomes permanent

When piloted, initiative that provided €325 a week to eligible artists recouped more than its net cost, study shows

theguardian.com

"If you use AI there’s a loss of process—art process, theatre making, translation....Process is where you build knowledge. Just going from A to B without process, you gain no knowledge, no human experience. You gain zero opportunity because you are not having to engage with anybody else..." #xl8 💙📚

American Literary Translators Association@littranslate.bsky.social · 9mo ago

“[I]n a sense, a translator is always like a fan. You’re always in this position of admiration, but you are also emulating the author.” Sarah Gear interviews translator Jen Calleja on the art, politics, and livelihood of literary translation. At Asymptote: buff.ly/3WmFKtX