Where my Ridley Heads at, we’re about to get another Midley Scott classic next week

They got Nick Glennie-Smith too. FUCK. youtu.be/Mv_ypECFAEw

Hummell Gets The Rockets

YouTube video by Nick Glennie-Smith - Topic

youtu.be

largest rodent@capybaroness.bsky.social · yesterday

this month’s free post on Rodent Reflections is, inspired by the Dune 3 Ticketing Fiasco, for once an actual reflection: on how badly the moviegoing experience has been screwed up by greed and if it’s going to get worse capybaroness.substack.com/p/the-dark-f...

Last 4 Friday. Some special stuff for a relatively minute Week (lest, on my personal end.)

learning that the guy who made the genAI image that appears in the spiderman brand new day art book was a concept artist on morbius and trying really really hard not to laugh

The Inspiration Story of the Year for Yours Truly. As someone who's never touched a 3D program like Blender this much in my Life, I'm as shocked as you are. boxd.it/fWvxqF

A review of The Cow is Coming (2026)

Bad and boring on its own despite some unintentional laughs, sure, but the story of how it got made (a Mother dedicating herself to learning about making 3D Animation as a whole solely for the sake of...

boxd.it

Mr. Creeper@mrcreeper.bsky.social · 2w ago

Is "rigging a Character" (giving it a Digital 3D Skeleton, so to speak) as much of a Horror Story as I've heard? The thrills and chills lying in the various unrelated plates and objects warping, or the pinpoint accuracy of rigging a Hand!

What, are we some kinda...Spreadsheet People?

Holy shit, that Rumor Mill might actually be true.

boxd.it/fVec41

A ★★★★★ review of Dead Man's Letters (1986)

"We must finally accept that we completely failed, that we disgraced ourselves without even using a fraction of what we were given. If there is an intellect in space, it should look on us with scorn a...

boxd.it

They locked the fuck in on the Cast for "MURDERBOT - Season 2", ho-LY - where did Tillman, O'Brian and Buscemi come from?!?

Bro you got angry birds’d. Your mean green pig ass got knocked off the level with the physics. Bro

THE Pablo Escobear@pabloescobear.bsky.social · 4d ago

Humpty dumpty asses

You forgot to cancel a forgetful Subscription...of a forgettable "Streaming Service" that forgot of your existence! I'll be here all Week, folks.

Will McKinley@willmckinley.bsky.social · 4d ago

Imagine paying $20 for Peacock. Not like you did it by mistake, because you forgot to cancel. You *chose* to pay $20. For Peacock.

THE MCQUARRIE SACRED TEXTS ARE BACK! boxd.it/fTPdOP

A review of Amadeus (1984)

"From now on, we are enemies… you and I…" Adapted for the screen by Peter Shaffer from his play of the same name and directed by Miloš Forman, Amadeus capitalizes on the rumors surrounding the untimel...

boxd.it

I am (Not) going to be okay.

Mr. Creeper@mrcreeper.bsky.social · last wk.

Am I going to be okay?

Screaming Mad George. Fuck.

Criterion's K-POP DEMON HUNTERS release is targeting a generation just discovering the wonders of collecting physical media at a time when physical media companies need it most, while also introducing their catalogue to young movie lovers. This is a genius move. Get the kids into Criterion!

Disney+ released a list of essential projects to watch before AVENGERS: DOOMSDAY: Iron Man X2 Thor Endgame Tokyo Story Cleo from 5 to 7 Ikiru The Unbearable Lightness of Being Bring Me the Head of Alfredo Garcia The Umbrellas of Cherbourg Jeanne Dielman, 23 Commerce Quay, 1080 Brussels Logistics

Surprisingly enough, this is one I'll be thinking about for a while. One of those that, despite being good enough as a Film, still emotionally broke me in ways I didn't imagine. And it's a title that has fun sparing no mercy on its Kill Count, so maybe it was bound to be, idk.

A review of The End of Oak Street (2026)

When breaking it in detail, this is a title I've been pining for all my Life (not the AMBLIN-esque throwback Film, but the "80s PG Family Film that's actually a Weapon of [traumatic] Destruction towar...

boxd.it

A welcome Dopamine rush on this lovely Afternoon, rewatching "WALL-E" with a Friend from the 'cord - while I'm one for watching anything on your own, there's a certain Magic to watching them with the company you hold in your Heart the most. Unbeatable. Maybe I can do it in this World!

Months later, and I'm still reeling from that Car Chase - literally how did they do all that?

Jake Tropila@jaketropila.bsky.social · 7d ago

OPERATION AVALANCHE (2016, Johnson): “No one is going to think this is fake, because how insane will that be?”

Feel like I've gotten to the point to where I'm fine staying Home on December 18th and not watch "DUNE" if the only way for me to watch it in peace is getting dragged to the Multiplex for "Doomsday" first by my younger Brother.

Last 4 Friday. ...what time is it?

another day Criterion deigns to acknowledge the existence of animation, another opportunity to share this piece I wrote a few years ago

Criterion’s 4K WALL-E is a Psy-Op

how a boutique home video company intends to make bank shilling Disney’s rewriting of animation history, and other galaxy brain notions

medium.com

Every Film Now@everyfilmnow.bsky.social · 6mo ago

‘KPOP DEMON HUNTERS’ is joining The Criterion Collection. #KPopDemonHunters #CriterionCollection 🔗 variety.com/2026/film/ne...

That's the sole part Criterion lacks a lot in and needs to get better at - besides that, "Flow", "WALL-E", and Wes Anderson, they don't have much else ("Watership Down", "RETURN TO REASON", and "LA PLANETE SAUVAGE" being the other ones.) Whole Worlds, out there, of incredible independent Animation!

juan barquin@woahitsjuanito.bsky.social · last wk.

you know i guess it makes sense that the first major contemporary animated film release from criterion would be a thoroughly mediocre netflick instead of something genuinely good but god that is still depressing to me lol

Had a guy walk out of the Theater when Cineteca Di Bologna re-released it in Theaters last May - deeply unique experience for Yours Truly, they're never seeing the light.

Disc-Connected: Your trusted news source in physical media@disc-connected.bsky.social · last wk.

***ANNOUNCEMENT*** Coming on November 17th on #4K and Blu-ray in the US from @criterion.bsky.social: #WildAtHeart (1990)! “This whole world is wild at heart and weird on top.” With this torrid adaptation of the novel by Barry Gifford, David Lynch pushed his vision of nightmarish A

Am I going to be okay?

Interestingly, both this and that "STRANGER THINGS" Finale showcase whether these people dedicate their whole self/selves to the project or not when AI "Concept Art" is your starting point. It only makes it easier to spot how soulless the final Film/Show in question is in primis.

Gentleman Doofus@gentledoofus.bsky.social · last wk.

I think new SUPERGIRL controversy provides a great test case for why using AI in preproduction is a bad idea. Sure, human beings ultimately made the film, but you’re starting from a place of complete aesthetic impoverishment devoid of inspiration.

"we all hold hands and sing 'I Learn To See'?"

Ghostbusters (1984)@ghostbusters1984.bsky.social · last wk.

So what do we do?

‘Bonnie and Clyde’ was released on this day in 1967. My piece on the review that built the legend of the movie (and the critic who wrote it): flavorwire.com/609140/bonni...

‘Bonnie and Clyde,’ Pauline Kael, and the Essay That Changed Film Criticism

Sunday marks the 50th anniversary of the release of Bonnie and Clyde, a nice round number of a milestone that will presumably be commemorated by retrospectives and analyses of the film – and for good…

flavorwire.com