Manon

@mvdbght.bsky.social

✦ Directrice artistique taquine en agence | Saltimbanque chez Velvetyne | Vulgarisatrice les soirs de pleine lune | Bassiste le reste du temps ✳︎

pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵 pouetpouet 🎶🎷 pipipouette 🎵

hamster saxophone

✨Georges Franju BOTD, 1912 🎂 While I adore the dreamy fantasia of Eyes Without a Face and Judex, I do have a soft spot for the gaudy pop pulp nonsense of his final film, Nuits Rouges (1974), full of mad disguies, masked villainy, undead slaves and underground secret society shenanigans...

Masked zombie slaves hold out knivesA red masked figure leans inUnderground templar knightsTwo figures in the back of a car with red bags covering their heads.

Georges Méliès is all "Look, ma! No strings!" in THE MERMAID. Méliès starred in most of his own films and was one of the first screen performers to really play to the audience, breaking the fourth wall and addressing them directly.