Tammy Lai-Ming Ho

@myetcetera.bsky.social

Academic, poet, translator, & editor of CHA, Voice & Verse, HK Studies, & The Shanghai Literary Review. Junior Fellow @ HK Academy of the Humanities. Resident @ IWP Fall 2023. Email: t@asiancha.com | Originally from Hong Kong, I'm currently based in Paris.

๐๐„๐– @asiancha.bsky.social ๐‘๐„๐•๐ˆ๐„๐– Rebekah Chan on Xu Xi's ๐ป๐‘œ๐‘Ÿ๐‘–๐‘ง๐‘œ๐‘› ๐ป๐‘œ๐‘›๐‘” ๐พ๐‘œ๐‘›๐‘” (Gaudy Boy, 2026): "Xu Xiโ€™s latest collection of short stories transported me across time, class, and borders into Hong Kong worlds that I could never inhabit within a single lifetime. ๐Œ๐Ž๐‘๐„: chajournal.com/2026/08/04/m... ใ€‚ใ€‚

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๐๐„๐– @asiancha.bsky.social ๐‘๐„๐•๐ˆ๐„๐– Jason S Polley on Patrick Holland's ๐‘‚๐‘๐‘™๐‘–๐‘ฃ๐‘–๐‘œ๐‘› (Transit Lounge): "First, I read ๐‘‚๐‘๐‘™๐‘–๐‘ฃ๐‘–๐‘œ๐‘›, which is Hollandโ€™s seventh book, in two sittings: a long Thursday afternoon that seemed short, and the following Friday night that was too short." chajournal.com/2026/08/04/o...

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๐‡๐จ๐ง๐  ๐Š๐จ๐ง๐  & ๐ˆ๐ซ๐ž๐ฅ๐š๐ง๐: ๐“๐ฐ๐จ ๐๐ฅ๐š๐œ๐ž๐ฌ, ๐Ž๐ง๐ž ๐‚๐จ๐ง๐ฏ๐ž๐ซ๐ฌ๐š๐ญ๐ข๐จ๐ง ๐ด ๐‘ค๐‘œ๐‘Ÿ๐‘˜๐‘ โ„Ž๐‘œ๐‘ ๐‘“๐‘Ÿ๐‘œ๐‘š ๐ถโ„Ž๐‘Ž: ๐ด๐‘› ๐ด๐‘ ๐‘–๐‘Ž๐‘› ๐ฟ๐‘–๐‘ก๐‘’๐‘Ÿ๐‘Ž๐‘Ÿ๐‘ฆ ๐ฝ๐‘œ๐‘ข๐‘Ÿ๐‘›๐‘Ž๐‘™ Call for Speakers We're inviting people to share their experience of living in and knowing both Hong Kong and Ireland. www.facebook.com/photo?fbid=1... ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚

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What should I write on next? I'm into haunting, ghosts, the uncanny, spectrality, hauntology, disappearance, afterimages, ancestral debt,& haunted commodities that have to do with Asian contexts, including Asian literature, film,& material culture, Asian modernity,& Asian history and everyday life.

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What should I write on next? I'm into haunting, ghosts, the uncanny, spectrality, hauntology, disappearance, afterimages, ancestral debt,& haunted commodities that have to do with Asian contexts, including Asian literature, film,& material culture, Asian modernity,& Asian history and everyday life.

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๐๐„๐– @asiancha.bsky.social ๐„๐’๐’๐€๐˜ | In โ€œNo Moral at Its End", Matt Reeck reflects on his first-ever published work of fiction, "Three Travelling Portraits: India", also published in ๐ถโ„Ž๐‘Ž: "I was interested in depicting some of the sexual tension that I had..." ๐‘๐„๐€๐ƒ: chajournal.com/2026/07/14/n... ใ€‚ใ€‚ใ€‚ใ€‚

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๐๐„๐– @asiancha.bsky.social ๐‘๐„๐•๐ˆ๐„๐– | Fathima M reviews Salma's ๐‘‡โ„Ž๐‘’ ๐ท๐‘Ž๐‘Ÿ๐‘˜ ๐ป๐‘œ๐‘ข๐‘Ÿ๐‘  ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘–๐‘”โ„Ž๐‘ก (Simon & Schuster, 2025): "When the desires of women are voiced, they become stories of longing, frustration, silence and oppression, among other things." ๐‘๐„๐€๐ƒ: chajournal.com/2026/07/11/d... ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚

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๐๐„๐– @asiancha.bsky.social ๐„๐’๐’๐€๐˜ Yun Liโ€™s essay was originally written in ๐‘‹๐‘–๐‘›๐‘š๐‘–๐‘› ๐ธ๐‘ฃ๐‘’๐‘›๐‘–๐‘›๐‘” ๐‘๐‘’๐‘ค๐‘ . She translated the piece into English herself: "I wrote the piece because Saigon struck me as a city with both historical depth and an unexpectedly romantic undertone." chajournal.com/2026/07/09/s...

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๐๐„๐– @asiancha.bsky.social ๐‚๐Ž๐๐•๐„๐‘๐’๐€๐“๐ˆ๐Ž๐ | In this lively interview, Sadie Kaye talks to Lindsey McAlister about swapping thirty years of directing Hong Kong's youth arts scene for painting. ๐–๐ž ๐ข๐ง๐ฏ๐ข๐ญ๐ž ๐ฒ๐จ๐ฎ ๐ญ๐จ ๐ซ๐ž๐š๐ ๐ญ๐ก๐ข๐ฌ ๐ฅ๐จ๐ฏ๐ž๐ฅ๐ฒ ๐œ๐จ๐ง๐ฏ๐ž๐ซ๐ฌ๐š๐ญ๐ข๐จ๐ง: chajournal.com/2026/07/09/l... ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚

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Inspired by Bo Wang's ๐ด๐‘› ๐ด๐‘ ๐‘–๐‘Ž๐‘› ๐บโ„Ž๐‘œ๐‘ ๐‘ก ๐‘†๐‘ก๐‘œ๐‘Ÿ๐‘ฆ & Yoko Ogawa's "Welcome to the Museum of Torture," from ๐‘…๐‘’๐‘ฃ๐‘’๐‘›๐‘”๐‘’: ๐ธ๐‘™๐‘’๐‘ฃ๐‘’๐‘› ๐ท๐‘Ž๐‘Ÿ๐‘˜ ๐‘‡๐‘Ž๐‘™๐‘’๐‘ ,I wrote a piece on hauntology and hair. Hair is the body's strange exception: dead the moment it leaves the scalp, yet somehow still living. 3quarksdaily.com/3quarksdaily...

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๐๐„๐– @asiancha.bsky.social ๐…๐ˆ๐‘๐’๐“ ๐ˆ๐Œ๐๐‘๐„๐’๐’๐ˆ๐Ž๐๐’ Swapna Sanchita writes about ๐‘ƒ๐‘Ž๐‘˜๐‘’๐‘’๐‘ง๐‘Žโ„Ž (1972), dir. Kamal Amrohi: "At 47, living through a career, a marriage and the chaotic balancing act of being a so-called modern woman in India, ๐‘ƒ๐‘Ž๐‘˜๐‘’๐‘’๐‘ง๐‘Žโ„Ž... completely broke my heart." chajournal.com/2026/07/08/t...

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๐๐„๐– @asiancha.bsky.social ๐„๐’๐’๐€๐˜ | In her new contribution, Rituparna Mukherjee compares two Delhi noir novels, Sengupta's ๐‘‡โ„Ž๐‘’ ๐ต๐‘’๐‘Ž๐‘ ๐‘ก ๐‘Š๐‘–๐‘กโ„Ž๐‘–๐‘› and Roy ๐ต๐‘™๐‘Ž๐‘๐‘˜ ๐‘…๐‘–๐‘ฃ๐‘’๐‘Ÿ, whose murder plots lay bare caste privilege, patriarchal violence and religious xenophobia ๐‘๐„๐€๐ƒ: chajournal.com/2026/07/08/i... ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚

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๐๐„๐– @asiancha.bsky.social ๐‘๐„๐•๐ˆ๐„๐– Hilda Wong reviews Mimi Kwa's ๐ป๐‘œ๐‘ข๐‘ ๐‘’ ๐‘œ๐‘“ ๐พ๐‘ค๐‘Ž (ABC Books, 2021): /ใ€Œๅฎถๅฎถๆœ‰ๆœฌ้›ฃๅฟต็š„็ถ“ใ€: โ€œEvery family has a scripture that is too difficult to chantโ€. Growing up in Hong Kong,this proverb has been woven into our collective consciousness[.] / ๐‘๐„๐€๐ƒ: chajournal.com/2026/07/07/k...

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๐๐„๐– @asiancha.bsky.social ๐…๐ˆ๐‘๐’๐“ ๐ˆ๐Œ๐๐‘๐„๐’๐’๐ˆ๐Ž๐๐’ | Vanessa Winghei Yeung draws our attention to Fung Hon Shing's ๐ฟ๐‘–๐‘“๐‘’ (๐‘๐‘ฆ๐‘๐‘™๐‘’) ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐ป๐‘œ๐‘›๐‘” ๐พ๐‘œ๐‘›๐‘” ๐‘๐‘’๐‘ค๐‘ก:"In just under ten minutes, viewers are given the privilege of following HK newtsโ€™ trajectories both underwater and on land." chajournal.com/2026/07/07/n...

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We're inviting writers to review Prudence Leung Kwok Lau & Vanessa Winghei Yeung's ๐ป๐‘œ๐‘›๐‘” ๐พ๐‘œ๐‘›๐‘” ๐ด๐‘Ÿ๐‘ก ๐ท๐‘’๐‘๐‘œ ๐ด๐‘Ÿ๐‘โ„Ž๐‘–๐‘ก๐‘’๐‘๐‘ก๐‘ข๐‘Ÿ๐‘’ (CUHK Press, October 2026). If you're interested in reading this book ahead of its publication, please send an email to editors@asiancha.com. ๐Œ๐Ž๐‘๐„: www.facebook.com/photo/?fbid=...

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In "Liner Notes", Jeremiah Dutch explores the influence of jazz, Japanese culture, literature, baseball, & his wifeโ€™s guidance on his story: "๐ถโ„Ž๐‘Žโ€˜s editor-in-chief asked me to write an essay introducing the story. I will not pretend to be an expert on jazz..." ๐‘๐„๐€๐ƒ: chajournal.com/2026/07/07/l...

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๐๐„๐– @asiancha.bsky.social ๐…๐ˆ๐‚๐“๐ˆ๐Ž๐ | Set in contemporary Japan, Jeremiah Dutch's story โ€œCool Jazz at the Dragonfly Clubโ€ portrays the monotony of corporate life, urban loneliness, and the pursuit of personal fulfilment through cooking and music. ๐‘๐„๐€๐ƒ: chajournal.com/2026/07/07/d... ใ€‚ใ€‚ใ€‚ใ€‚ใ€‚

[FICTION] โ€œCool Jazz at the Dragonfly Clubโ€ by Jeremiah Dutch

[FICTION] โ€œCool Jazz at the Dragonfly Clubโ€ by Jeremiah Dutch Also read โ€œLiner Notesโ€, Jeremiah Dutchโ€™s essay on โ€œCool Jazz at the Dragonfly Clubโ€. Late on a Thursday โ€ฆ

chajournal.com

The poet of Chinaโ€™s factory floors At 19, Xiao Hai earned two cents for every England football shirt he made. Poppy Sebag-Montefiore writes that now his literature is documenting life in Chinaโ€™s workshop of the world https://bit.ly/3SYz9sg

The poet of Chinaโ€™s factory floors | The Observer

At 19, Xiao Hai earned two cents for every England football shirt he made. Now his literature is documenting life in Chinaโ€™s workshop of the world

bit.ly