zen

@nodplus50pts.bsky.social

i'm zen k! | gbf + misc posting | 18+ only | i draw comics! | i love 百合♂ | she/they | broken frontier's 6 to watch 2025 | published with koguchi press 💌: nodplus50pts@gmail.com https://linktr.ee/nodplus50pts

for those interested, these messages were deleted on the new yaoi con’s instagram and include insight about their stance on fujoshis and some interesting implications about “real” gay/queer culture

BildBildBild

you would think horror would be one of the genres that are bit difficult to draw wrt comics but unironically it's what i default to and comes easiest to me... 😭 maybe b/c i've done so much research on it...

I'll always remind people this is mostly a North American comics problem. other comic industries in the world credit artists as equal or starring collaborators, and if an artist leaves a project it usually means the project ends rather than being passed off to another, which is more the exception

Kelsi Jo C2E2 I-02!@kelsijosilva.bsky.social · 4mo ago

Man, illustrators don't spend sometimes *years* of their life working on books to be seen as secondary creators 😞 Those are our ideas too. Our designs, layouts, input, expressions, character interactions. Comics can't exist without their artists.

also real talk even if you get into a prestigious fair or get picked up by an indie publisher you still aren't going to make enough money to quit your day job So i think you should just draw the unpublishable sicko shit you really want to draw and print a doujinshi

i could do public transit 234030430 times without ever getting sick but the moment someone in this house is snivelling i could take every precaution and still end up catching it from them 🥹😭

[GBF] Here are some of my favorite Vane interactions in Relink! 🐶🧡 (ignore the characters yelling in the background, this is the best recording I could get haha)