Oddernod

@oddernod.bsky.social

Keyslinger. Curve operator. Pixel pusher. Root beer lover. Hockey fan. CURRENT: Senior Creative Director | SPILLT PAST: Imaginary Forces, Digital Kitchen, Blur, Pacific Rim, Transformers, Person of Interest. Ryan Summers.

Demo reels – figuring out how to get started? TOUGH. • Who am I? • What do I show? • What do I call myself? • How long should it even be? Once you have it cut and scored and uploaded? EVEN TOUGHER. • Who is hiring? • How do I connect? • What do I do after applying?

With CHRONOKEYS launching, I'm at peak animating scripts and plug-ins with After EFFECTS: • Chronokeys • Keystone • Kease • Flow At this point, we need the animating experience (timeline + curve editor) addressed by the AE team. What tools would you like to see added natively?

You could make a very American version of NO OTHER CHOICE set in the mid-2000s feature animation industry where someone goes around Burbank chopping off the drawing hand of the last few lead animators and it would end with the first shot of the all AI-generated animated feature.

Let’s talk NO OTHER CHOICE: A last gasp of workaday capitalism. Breaking Bad by way of Oldboy. The Tragedy of Craft. A messy gut punch riot for anyone affected by automation or AI, whether you were a journalist, designer, animator, or just hoping to be one. Darkly delicious. 9/10

Your reminder that Light & Magic on Disney+ is an incredible documentary series you need to watch. What could have just been a behind the scenes look at special effects is instead a heartfelt human story from filmmaker Joe Johnston that has no right to be this good—In season two.

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Good morning! If all you do today is one tiny doodle in the margins of your to-do list, that still counts as making art. Celebrate the small wins! 🎉✏️

This whole “you’re cooked, artists” thing is the equivalent of someone who tried a microwave for the first time saying it’s over for restaurants now. You better quit now all you cooks & chefs and become a plumber because I can make a limp grey salisbury steak in 30 seconds!

Going live with @ecabrams.bsky.social in about 40 minutes! If you're anti-Corporate Memphis, we welcome you to come hate-watch! 😅 (But know that we're in on the joke...) See you on @adobelive.bsky.social! Noon ET / 9a PT 👉 behance.net/adobelive 👉 www.youtube.com/watch?v=7Deh...

Kyle Hamrick@kylasaurusrex.bsky.social · last yr.

This week, Motion Design Hotline takes on Corporate Memphis. @ecabrams.bsky.social & I break down the style and tackle tips for creating your own elements using After Effects and Illustrator - because we know they're still asking for it. 🤷‍♂️ Wed Noon ET / 9a PT Links below!

BREAKING: We're beginning live coverage of this major story. Technicolor, owner MPC, Mikros Animation, and The Mill, is on the verge of total collapse. Over 10,000 animation and VFX workers in the US, Canada, UK and India could become unemployed this week.

Live Updates: VFX Industry On Edge As Technicolor, Owner Of Mikros Animation, MPC, And The Mill, On Verge Of Total Collapse

Over 10,000 vfx and animation workers around the globe could become unemployed as early as this week.

cartoonbrew.com

Writing 4 panel comic strips for a project. Thought I’d take a break & read some early CALVIN + HOBBES. DONT. It is SHOCKING how good Watterson was, right out of the gate. His fourth strip in and it’s jam-packed. Visual puns. Established the dynamic between C+H. A double funny final panel.

The chilling effect continues across VFX shops as Technicolor US seemingly is shutting down operations on Monday – this includes Mikros, MPC and The Mill offices across the country.