Philip Larkin Society

@plsoc.bsky.social

Official account for the Philip Larkin Society at PhilipLarkin.com, promoting the work of Philip Larkin.

An inspirational afternoon at the Philip Larkin event at the Coventry Book Festival. PLS President, Rosie Millard, presents the first ever Philip Larkin Society Next Generation Award to the Red River Theatre Company for their production ‘Home Is So Sad’

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We’re really looking forward to taking part in the Philip Larkin Tribute today at the Anglican Chapel, London Road Cemetery, Coventry as part of the Festival of Books. 3.00PM and free to attend.

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Come along to our Meet the Members Zoom get together this Thursday at 7pm. The link was in May's newsletter to members and we will send it out again before Thursday. (The Lucky Jim Book Club will take place in the autumn- we got over excited about that, clearly an effect of the heat!)

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On the occasional Sunday morning some of us may be able to empathise with Amis's Jim Dixon, after a night of excess: 'He lay sprawled, too wicked to move, spewed up like a broken spider-crab on the tarry shingle of the morning...' (Lucky Jim, 1954)

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The Society is run entirely by unpaid volunteers, and everything we do — our journal, podcasts, YouTube, events, and social media — is made possible by your subscriptions. We have ambitious plans to focus on the Next Generation of Larkin Readers. Please remember to renew your membership!

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It is with great sadness that the Philip Larkin Society shares the news of the passing of Carole Collinson. Carole was a long-standing trustee, serving as Events Organiser and Membership Secretary for many years, and was the driving force behind the Larkin statue at Hull's Paragon Station.

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Larkin’s draft of ‘Song: The Three Ships’ is included in this lovely book published by the British Library. His first poetry workbook is deposited in the BL, the rest are in Hull History Centre.

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In 1962, Larkin accompanied Jean Hartley to see Louis Armstrong at Bridlington Royal Spa.Writing to his mother Eva, Larkin said, “this was a very great thrill for me, as Armstrong is the Shakespeare of jazz even now, & I’ve never seen him before.'

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