Pocket Lint

@pocketlint.bsky.social

Solo artist, guitars, synths, found sounds and pianos: Genre nomad and wilful eclecticist. Concept driven noir pop. MDANT https://pocketlint17.bandcamp.com

Wise words here from Indie Music Doc “*Wunderkammer* doesn't ask to be your favourite album of the year; it asks to be returned to, the way you'd revisit a museum case you walked past too quickly the first time, curious about the small unlabelled object tucked in the corner.

Wise words here from Indie Music Doc “*Wunderkammer* doesn't ask to be your favourite album of the year; it asks to be returned to, the way you'd revisit a museum case you walked past too quickly the first time, curious about the small unlabelled object tucked in the corner.

I used to be a Hardcore kid. It's why I hold values like community, boosting initiatives and smaller bands very dearly. I know many of you come from similar circles so I'm sure you feel the same way. So maybe next time instead of clicking like, share something from a small artist/initiative.

Have really been hammering Wire again the last week or so and Teardrop explodes. Too late to have much of an impact on my next album Seascapes but I suspect it will pop up somewhere down the line and Wire i think are a key part of my musical DNA along with Magazine and XTC

I am once again begging Hollywood to stop using the Greek alphabet for an Ancient World movie, if they can't afford to even throw a couple of quid at anyone with an inkling of the language. Unless they really think audiences are dying to see THS THDPSSSSPS

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Piece in the guardian on Enid Marx has v happily made me think of close family friend ‘C’ who did her masters dissertation on her before being an academic in fashion and textile history and sometimes interviewee on the Clothes show. www.theguardian.com/artanddesign...

Enid Marx: the maverick textile artist who changed tube commutes for ever

Her fabric designs jazzed up the London Underground and though Queen Elizabeth II rejected her idea for a stamp, her work made a permanent cultural imprint, as a new exhibition reveals

theguardian.com

Piece in the guardian on Enid Marx has v happily made me think of close family friend ‘C’ who did her masters dissertation on her before being an academic in fashion and textile history and sometimes interviewee on the Clothes show. www.theguardian.com/artanddesign...

Enid Marx: the maverick textile artist who changed tube commutes for ever

Her fabric designs jazzed up the London Underground and though Queen Elizabeth II rejected her idea for a stamp, her work made a permanent cultural imprint, as a new exhibition reveals

theguardian.com