profchander

@profchander.bsky.social

bad at most things

i chose my grad school because the local coffee shop served coffee in glasses rather than mugs, and it seemed so cultured and fanciful. hot glass, you may know, hurts your hands and so in practice that meant i was constantly burning myself with the future i had imagined for myself. apt.

Friends, my book—No Place for Home: Terror and Race in Literature After 9/11—has a cover! I’m so pleased with what Rachel Moeller and the design team at @uminnpress.bsky.social came up with! The book will be out in Spring 2027 and that I’ll post a pre-order link once it’s available! 1/2

Bild

So excited to see this out! And just in time for the last round of edits on my book on slavery and ecology in the 18th/19th-century Atlantic world -- can't wait to dive in and listen for the echoes and afterlives @femmenoire.bsky.social #EnvHum

Duke University Press@dukepress.bsky.social · 2mo ago

In "Captive Ecologies," Jennifer C. James @femmenoire.bsky.social makes a case for the ecological significance of slavery’s afterlife, examining Black literature and art to trace the entanglements between racial capitalism and Black ecological freedom. Read the intro for free now: buff.ly/I5cfkh8

Cover of Captive Ecologies: The Environmental Afterlives of Slavery by Jennifer C. James. The upper quarter features the title on the left against a solid blue background. The subtitle and author name are adjacent on a black background. All text is in white serif font. The rest of the cover is a photograph of a solitary figure in dark clothing walking across a glacier with distant, snowy mountains.

when did every clothing brand start giving all its products names like “the winston” and “the giles” like they’re just picking from the graduating class of philips exeter

apparently it was important for me to send myself an email at 2am about the difference between political self determination and birthright privilege just wish i understood what i wrote