Jenny Leetsch

@jennyleetsch.bsky.social

juniorprofessor of anglophone literatures and cultures (university of trier) • views my own • she/her • #firstgen website: https://www.jenniferleetsch.com/ “soar, eat ether, see what has never been seen; depart, be lost, but climb."

So excited to see this out! And just in time for the last round of edits on my book on slavery and ecology in the 18th/19th-century Atlantic world -- can't wait to dive in and listen for the echoes and afterlives @femmenoire.bsky.social #EnvHum

Duke University Press@dukepress.bsky.social · 2mo ago

In "Captive Ecologies," Jennifer C. James @femmenoire.bsky.social makes a case for the ecological significance of slavery’s afterlife, examining Black literature and art to trace the entanglements between racial capitalism and Black ecological freedom. Read the intro for free now: buff.ly/I5cfkh8

Cover of Captive Ecologies: The Environmental Afterlives of Slavery by Jennifer C. James. The upper quarter features the title on the left against a solid blue background. The subtitle and author name are adjacent on a black background. All text is in white serif font. The rest of the cover is a photograph of a solitary figure in dark clothing walking across a glacier with distant, snowy mountains.

The Google Books preview of the Routledge Companion to World-Literature and the Environment is online early. I have a chapter in here on Water and Waste in Palestinian Literature, which discusses speculative fiction and nature writing as new genres in this context. books.google.co.uk/books?id=HxD...

The Routledge Companion to World-Literature and the Environment

The Routledge Companion to World‐Literature and the Environment takes a broad, global overview of the history, present and potential futures of environmental and literary studies, demonstrating that w...

books.google.co.uk

book homies: tell me a book that's not out yet that you're hype about or want other people to get hype about! shoutout some upcoming releases, brag about a galley you've read recently, or share that pre-order link!

Adaptation is everywhere! This spring MTC is running a new series called ADAPTATION ANXIETY, where new and returning writers consider literary adaptations from the last few years. To kick off our managing editor Martha Henzy takes on the unsexy absolution of the gothic monster.

Not My Byronic Hero! Or, Whither the Monster?

Adaptation is everywhere! In the spring of 2026, MTC is running a new series called Adaptation Anxiety, where new and returning writers consider literary adaptations from the last few years. We ask…

mid-theory.com

I was on Twitter for the writers and the book recommendations, the essays, the poetry, the community. I am here now for the same. I’m a nerd. Please reply with a favorite recent essay or poem or story or book recommendation, and thank you.

Dieser thread einer LitProf hat spannende Vorschläge, Studierenden zum Lesen zu bringen; „Reading Scenario Experiments“, zB: „Lest bei Kerzenlicht/draußen in der Natur. Lest jemand anderem vor. Lest mit einem Block und zeichnet Szenen, die ihr lest.“ Der Prozess ist kreativ und soll auch so sein!

Andrea Kaston Tange@aktange.bsky.social · last yr.

Here you go! I'll write some new ones for this semester too. They loved them. The "read without your phone or screens in the room" was a revelation, and many of them decided to keep doing it. They had NO IDEA (& were horrified) how often they interrupt themselves to look at a phone for no reason.

Reading Scenario Experiments. This series of prompts is designed to get you thinking about how the setting for reading affects concentration, comprehension, and even the existential experience of reading. Every week, one of the following prompts will appear on the syllabus. I encourage you to try all of them that you are able. How does a different reading setting affect your mood? Your receptiveness to the prose? Your pleasure or difficulty reading? What are the particular impacts of changing your lighting or surroundings? What do you notice about yourself and about the work you are reading during this experiment? 
1.	read by candlelight (use a small lamp in dorms where no candles are allowed!)
2.	read for one hour without checking any devices, answering texts, etc.
3.	walk out into nature (climb a tree, sit on a rock, grab a spot in a hammock) and read
4.	host a reading night with friends & food (sit in companionable silence, reading without chatting)
5.	read aloud a chapter to someone else
6.	climb into bed at night and read by flashlight under the covers for at least 30 minutes, as if you’ve already been told “lights out” as a kid
7.	reread a chapter and see what new things you notice the second time through
8.	change your ambient-noise level: add music if you normally read in the quiet; or read without music if you are normally a music-listener
9.	read with a sketchpad at hand and sketch scenes, characters, or other elements from the story
10.	practice focused listening: have someone read to you
11.	make yourself a special, fancy snack on a real plate to nibble while eating: pay attention to the cooking or arranging or choosing of ingredients to make it especially appetizing first
12.	make tea (even if you’re not usually a tea drinker), and read and sip
13.	invent a new reading scenario for yourself, or repeat the one you liked the best from this term 

[writing assignment using these prompts follows; text character limit prevents inclusion of it in full]

𝗔𝗿𝗲 𝘆𝗼𝘂 𝗿𝗲𝘀𝗲𝗮𝗿𝗰𝗵𝗶𝗻𝗴 𝗯𝗼𝗿𝗱𝗲𝗿𝘀 𝗮𝗻𝗱 𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁𝗲𝗱 𝗶𝗻 𝗲𝘅𝗰𝗵𝗮𝗻𝗴𝗲 𝘄𝗶𝘁𝗵 𝗼𝘁𝗵𝗲𝗿 𝗯𝗼𝗿𝗱𝗲𝗿 𝘀𝗰𝗵𝗼𝗹𝗮𝗿𝘀? The UniGR-CBS is pleased to announce the launch of its 2026 Research Fellowships! Eligible are postdoctoral researchers, senior researchers, and professors. Apply now (28/02/2026): fellow.borderstudies.org

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first week back at work 2026: wildly oscillating between binging heated rivalry insta edits and stewing over the german research foundation funding bid I have to finish - I contain multitudes!

me to grad students: share your work with each other, talk, exchange ideas! me to me: no one can ever see this draft it's garbage and they'll think i'm garbage and then i'll have to move into a dumpster where i belong