Robert Falls

@robertfalls.bsky.social

Former director of Chicago’s Goodman Theatre; opinionated cultural commentator; husband of fab novelist Kat Falls. Often posts pet pics to boost followers.

BOTD: Pina Bausch, artist extraordinaire. I can’t think of a theatre or opera director I admire who hasn’t been influenced by—or stolen from—her masterworks, The Rite of Spring and Café Müller. One of the most radical and influential artists of our time.

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When I was fifteen, my father knew I was obsessed with Joni Mitchell’s “Both Sides, Now” and the Beatles’ “Hey Jude.” He surprised me with this Bing Crosby album, containing both songs, and a turtleneck dickie. I remain touched by the gift and fascinated by the pairing.

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Apparently everyone on my BlueSky feed saw The Odyssey this weekend… except Werner Herzog, Judi Dench, the Pope, and my cousin Gary, who said he’d wait for the director’s cut.

Today would have been Gena Rowlands’ birthday. I love watching Criterion Closet Picks, where actors and filmmakers choose the films that shaped them. Again and again, someone reaches for A Woman Under the Influence and speaks of Gena Rowlands’ influence. One of cinema’s greatest actors.

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In anticipation of what I’m sure will be another dangerous and idiotic Trump speech tonight, I never thought I’d quote Brett Stephens quoting Thomas B. Reed: “They never open their mouths without subtracting from the sum of human knowledge.”

Sitting in a cottage in northern Michigan, I decided this was the week to embrace a healthier diet: lettuce, berries, fresh vegetables. The Cyclospora headlines, apparently, had the same week circled on their calendar.

The Rolling Stones have a genuinely inspired new album, and somehow it made me think of Verdi. (Yes, I realize how absurdly pretentious that sounds.) Verdi was 79 when he wrote Falstaff. The best artists never really get old. They just keep surprising us.

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I’d been directing for many years before I read Mike Alfreds’ Different Every Night. I thought rehearsal was repetition in search of the appearance of spontaneity. Mike taught me to make room for true spontaneity. He’s 92, still teaching. I’m still learning.

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