Rob Weinert-Kendt

@robkendt.bsky.social

Editor of American Theatre magazine, musical omnivore. trainmyear.blogspot.com

I did not think I needed to read more about DEATH OF A SALESMAN, but this piercing meditation by John M. Sandy is one of the best things I've ever read about it. Whaddaya know: Sometimes criticism makes you see things more clearly and feel them more deeply. www.americamagazine.org/theater/2026...

I’m the father of three sons. Nathan Lane’s Willy Loman reminded me how to truly love them.

I had read “Death of a Salesman” the way everyone reads it in school. I had never seen it as a father. That, it turns out, changes everything.

americamagazine.org

I hadn’t planned to review the new play at the Atlantic, but I liked it and saw it was a natural for the Jesuit weekly America. This one got a little more theological than usual—last time I went there was for another Atlantic play, Annie Baker’s INFINITE LIFE. www.americamagazine.org/theater/2026...

You can see ‘The Saviors’ and maintain your faith—both in God and the power of theater

Though piercing doubts and discontents surface in “The Saviors,” one never gets the sense that the playwright has an anti-clerical axe to grind.

americamagazine.org

bought candy at the pool for a 13yo and she tried to give me cash. i was like nahh it's nbd, and she goes "girl i have seen your car." 13yo girls remain undefeated. you think you're talking to a child but you're actually talking to whatever gods used to send to punish mortals for their hubris

After my parents were visiting set for the first time, I asked my dad what he thought. He said “I didnt realize, it’s like you’re building a house, and once an hour good looking people run in and put on a play for five minutes. Then they leave and you go back to construction.”

Alvaro M. Bedoya@bedoyausa.bsky.social · last wk.

People think "Hollywood" is rich and famous. The reality? Film and TV is a national industry. It's a blue collar industry. And it is an industry free fall. My latest for @newrepublic.com on how the Paramount merger would crush blue collar workers who can not afford it newrepublic.com/article/2136...

Jill Clayburgh sandwiched between Raúl Juliá and Frank Langella in the 1984 Broadway revival of Noël Coward's DESIGN FOR LIVING. George C. Scott directed and oh, how I would love to go back and see this.

Raul, Jill and Frank in their lounging pajamas.

About to see Dylan at Forest Hills Stadium, chance of thunderstorms very high. The jokes write themselves; the man used a lot of weather metaphors (wind, hard rain, buckets of rain, hurricane, weatherman, you name it)

Had a wild dream last night that Tom Waits was running around some public space with a 3-string guitar doing an R.E.M. cover. It sounded amazing, and I couldn’t figure out how he wasn’t completely out of breath. When I woke I couldn’t remember what song it was; I’ve decided it was “Begin the Begin”

Funny Graceland sendup but what makes this A+ is its spoof of broader trends: 80s boomer-pop's Scramble for Africa (Simon, Byrne et al) AND the Magical Negro theme that ran thru such period pieces as U2's Rattle & Hum, Billy Joel's "River of Dreams," &—of course, supremely—TOTO I bless the rains...

Apparently Schmigadoon! debuted on Apple TV 5 years ago this very day! The same day we celebrate our 100th performance on Broadway! Here's a pic of me on the set way back when. Happy Schmigadoon Day!

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Sad to see CATS: THE JELLICLE BALL post a closing date. Everyone should see it! It's a real event, and a sunburst of joy. This is my chat with director Bill Rauch about how it's the most Cornerstone show he's directed since, well, Cornerstone. www.americantheatre.org/2026/04/10/c...

Chekhov Unhinged, ‘Cats’ Unleashed

How 2 Russian directors and 1 American one are making Chekhov's work speak to the moment, and how a seasoned community-based theatremaker is having a ball on Broadway.

americantheatre.org