Ryan Hamilton 🇵🇸 🏳️‍⚧️

@ryanhamilton.work

✦ narrm's fat/queer culture critic ✦ theatre’s gonna save the world (i reckon) reviews | recommendations | yaps 💌 ryan@ryanhamilton.work linktr.ee/the.ryan.hamilton

I'm so fucking keen for this show—created and performed by Cheng Lei, an Australian journalist who was detained in China for 1154 days. The team is wildly exciting and I'm just so keen for political theatre that comes up against the dangers of state censorship!! www.artshouse.com.au/events/1...

1154 Days - Arts House

A raw and riveting theatrical reflection on freedom, resilience and creativity.   While working as a journalist in China, one morning Cheng Lei was lured to work...

artshouse.com.au

saw a delightful show called Back to Te Maunga at La Mama on the weekend and wow I just loved it!! a gorgeous new Māori play about brotherhood and how the past bears down on us and colonialism I am a proud hater of realism but Joel Te Teira's lovely layered script cracked my anti-realism heart.

Melbourne Comedy Festival is sooooo soon (and I'm so excited) — I'm planning on writing a daily newsletter/diary during the festival as I try to catch 50+ shows in a couple weeks (lol) wrote up some details and my thinking about this little project on my blog www.ryanhamilton.work/your-vi...

Your visa to Gag City has been approved, chuckle f*cker

Introducing a pop-up newsletter full of my coverage of Melbourne International Comedy Festival 2026

ryanhamilton.work

Thinking about what it means to praise art. I’m less interested in technical excellence than I am in art that represents the cultural/political world I want to live in. I want to say ‘this art belongs and should be our artistic baseline moving forward.’ Sort of using taste as a way to make utopia.

i wrote a big scary essay/review about a show i saw at Melbourne Fringe but maybe it’s actually about how we change things and how monash uni fucked me up and also how i have voted in every single election i’ve been a part of. 🔗 www.ryanhamilton.work/we-get-to-de...

We Get to Decide How We Live Through It

Reviewing ‘Democracy Repair Services’ by Noemie Huttner-Koros, directed by Martha Latham, presented at Melbourne Fringe in 2025

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Arts criticism & journalism being reduced to marketing is incredibly depressing, and I am thankful for the approximately six people/outlets in the BG space who actually do criticism and/or journalism. I don't condemn the rest but I do feel sorry for them.

It’s been very underreported but the ABC has just gutted its arts and culture team. It will go down from 12 national arts, culture and entertainment reporters to 3. One of those will focused on writing PR for TV shows. It’s vandalism. We covered it on our podcast: podcasts.apple.com/au/podcast/l...

How the Media Helped Israel Bomb Iran, the ABC’s Future, and the State of Australian TV

Podcast Episode · Lamestream · 18/06/2025 · 1h 8m

podcasts.apple.com

Here’s a little (big) piece I wrote about Fat Pig, an opera which staged last weekend in Melbourne. It’s not really a review, just me trying to make sense of the feelings that seeing it brought up. It feels pretty scary to be so critical—but then again I’m just so tired of anti-fatness in theatre.

🐷 Lipstick on a (Fat) Pig

10 Reasons Why I’m Bloody Tired, a Personal Response to ‘Fat Pig’ at fortyfivedownstairs | Presented by Forest Collective and BK Opera

ryanhamilton.work