Sara K Ellis

@skateellis.bsky.social

Lit prof, newly minted beachcomber, and SF writer in Japan. Words in Analog, F&SF, and elsewhere. Debut novel—If the Stars Are Lit (Luna Press).

This year's GenCon Writers Symposium was amazing! Check out this thread from @mauricebroaddus.bsky.social to learn why the convention is a must-attend for writers. Maurice and his staff have truly transformed the Symposium in the last two years. I can't wait to see what they do next time!

Maurice Broaddus @mauricebroaddus.bsky.social · 2d ago

We survived GenCon Writers Symposium 2026, y’all (and that’s saying something considering the occasional tornado). I was so busy running around I barely got to enjoy it. Luckily, my interns and friends made sure to slow me down to experience what we were curating.

"Those dripping crumpets, I can see them now. Tiny crisp wedges of toast, and piping-hot, flaky scones... Angel cake, that melted in the mouth, and his rather stodgier companion, bursting with peel and raisins.” —Rebecca, Daphne du Maurier #BookologyThursday

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What hit was how much the narrator’s voice seems to prefigure social media, enacting all those critical voices against a paralysis of honest self-expression. I mean, she has to be stifled, the plot wouldn’t work otherwise, but it feels surprisingly now.

BOOKSNS@booksns.bsky.social · 4d ago

Rebecca by Daphne du Maurier is kind of like if Mike Flanagan did Downton Abbey (spoilers) https://www.booksns.com/219663/ I read this book at the recommendation of my girlfriend. It was a very slow burn at first, but the last few chapters – from the party to the end – really made up for it. …

A friend reached out this evening to request clarification on an AI apologist’s talking point, and it’s worth reiterating: Digitizing is a process librarians, archivists, and curators understand to preserve the information inside a book as a unique entity. What these bros are doing is destroying.

I am very excited to be part of this conference: Publishing for All in an Age of Uncertainty, organised by Jocelyn Hargrave at University of Derby. This will be my very first conference paper, and I am delighted and grateful for the opportunity! details below. 🧡 www.derby.ac.uk/events/lates...

Publishing for All in an Age of Uncertainty

The Publishing Programme is holding an online two-day conference on 1–2 September 2026 to mark this ten-year anniversary, and to reflect on the sociocultural, economic and practical implications for t...

derby.ac.uk

Bordeaux, France, has now recorded more days above 40°C in 2026 alone than during the entire 105-year period from 1920 (when observations began) to 2025. This is deeply shocking.

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The huff over Wilson’s Odyssey review shows how we’ve forgotten that film reviews are their own art. Not just a 🍅-meter score or a takedown platform. I’ve read everything by Kael not because I agree with her or think she was a particularly good human (Raising Kane ahem) … 1/2

I enjoyed Nolan's ODYSSEY quite a bit, and found it more moving than expected. I also read Wilson's critique and found that both enjoyable and insightful. It's not even really a bad review -- it's an incisive dissection from the POV of someone whose knives have long been sharpened on the material.

Hmmm. I read the Emily Wilson review of Nolan's The Odyssey and not sure what the hubbub is about. Are negative reviews not allowed anymore? Some nuance of her points seems flattened in the criticisms of the review, too.