theoesophagus

@theoesophagus.bsky.social

Layabout. Letterboxd profile: boxd.it/HLzf www.goodreads.com/oesophagus

Who is the person at Warner Bros that loves Ken Russell's The Devils so much? Not only is the release of the uncut version being massively promoted but the nuns from the film featured in Space Jam 2 a few years ago.

Ken Russell's work is too deliberately kitsch, populist, anti-realist, earnest and kinky to ever be truly loved by the English even though I consider him the most English artist I respect and worship.

Was listening to Unt by Penthouse. Has aged extremely well. They really were a perfect band. This is a photo I took of them at the Oxford Point very many years ago when I interviewed them for the uni paper.

The band Penthouse.

I've finally seen Dario Argento's Dark Glasses. It was brilliant. I was not expecting a really sweet relationship between a blind sex worker and an orphan migrant child to be at the heart of the story. If this is to be his final film, it is a worthy end to an amazing filmography.

Trying to watch Innerspace with the 7 year old on Father's Day and I've been forced to turn it off because of the 'inappropriate language". He was angrily counting the curse words like some infant Mary Whitehouse.

Great that REVOLUTION IN 35MM is still getting readers. You can pick it up PM Press (as well as all the usual on line platforms) here pmpress.org/index.php?l=...

theoesophagus@theoesophagus.bsky.social · last yr.

Revolution In 35mm is a collection of insightful essays on political cinema edited by Andrew Nette (@pulpcurry.bsky.social) & Samm Deighan. The major selling point of this fantastic book is the diverse range of films & filmmakers that it covers. This is a vital book radical cinema has long needed.

Cover of Revolution on 35mm