Valentina Di Liscia

@valentinadl.bsky.social

writer, senior editor @hyperallergic Signal: valentinadl.67 for tips

“A curator of European paintings reflects on an ancient Mesopotamian sculpture; a researcher of Islamic art ponders a bust from a German-Austrian sculptor; and a managing editor is reminded of his own experiences in a municipal office” in a new book from The Met. hyperallergic.com/the-met-muse...

The Met Museum's Staff Have Some Thoughts About the Art

A new book gathers essays by the museum’s curators, researchers, librarians, and conservators on everything from Renaissance portraiture to the work of Wendy Red Star.

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Imagine being an artist who profited for decades from an exploitative system, ignoring the publications that have been reporting on it day in and day out, and then penning a self-righteous essay in an academic journal about how the art world needs to wake up. Oh wait ...

Hyperallergic is hiring! We're looking for an intrepid Associate Editor and Staff Reporter to join us full-time in our office in Brooklyn. If you're an experienced journalist who knows that art and politics are deeply intertwined, I encourage you to apply. apply.workable.com/hyperallergi...

Hyperallergic

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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a heavily armed paramilitary force with legal immunity is occupying a city and going door to door kidnapping non-white adults and children in furtherance of an explicitly white nationalist political project

Rodolfo Walsh, the Argentine writer whose book “Operación masacre” (1957) is considered the first novel of investigative nonfiction (before Capote’s “In Cold Blood”), would have turned 99 yesterday if he hadn’t been shot and killed in Buenos Aires at the hands of the military dictatorship.

a profile drawing of Rodolfo Walsh with his quote “journalism is either free, or it is a farce” in Spanish

Five Venezuelan artists in the diaspora shared their thoughts with us in the aftermath of the US attacks. We are trying to reach artists in Venezuela, but many are afraid to speak. If you’d like to speak confidentially, you can reach me on Signal: valentinadl.67 hyperallergic.com/five-venezue...

Five Venezuelan Artists Respond to US Attacks

Artists and art workers in the diaspora shared a mix of emotions, from hope of a better future to anger over the unsanctioned intervention and fear of what’s to come.

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The automated sexual abuse that Musk is doing right now should be national news. People should be going to prison for this shit. The logical conclusion to generative image creation and the internet, pure public automatic violence. Every Pizzagate fear just out in the open.

For artists, museum acquisitions are a major milestone. Young Joon Kwak told us the Leslie Lohman’s acquisition of her work, which addresses trans and nonbinary visibility, was “a way of saying we’re here, we’ve always been here, and we’re not going anywhere.” hyperallergic.com/15-landmark-...

15 Landmark Museum Acquisitions in 2025

A rare Jacob Lawrence painting, the Louvre’s first video artwork, a trove of Indigenous art, and a Frank Lloyd Wright house are on this year’s list.

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"The original story is about people forcibly going into exile and becoming refugees. It's about political violence. It's about authoritarianism. All that's already in the Gospel.” story by Emma Cieslik for @hyperallergic.com hyperallergic.com/anti-ice-nat...

Anti-ICE Nativities Take a Stand Against Trump’s Cruelty

Despite pushback from right-wing leaders, nativity scenes with a humanitarian message are spreading across the country.

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