Willow Catelyn Maclay

@willowcatelyn.bsky.social

Film Critic (Film Comment, Reverse Shot, etc). GALECA. Co-Author of CORPSES, FOOLS AND MONSTERS Currently writing a book about TWIN PEAKS

My favorite part of the screening was overhearing a discussion between two Gen-X lesbians on the way out. "I enjoyed its raucous explicit spirit but he no longer has the je ne sais quoi that he did in the 90s" "susan, none of us have the je ne sais quoi of the 90s anymore"

Willow Catelyn Maclay@willowcatelyn.bsky.social · 7m ago

I enjoyed Gregg Araki's I WANT YOUR SEX primarily because it was amusing to go to the mall & see Olivia Wilde lube up a big pink dildo and stick it in Cooper Hoffman's ass.

I wrote about TEENAGE SEX AND DEATH AT CAMP MIASMA for Reverse Shot. I think it is an extraordinary film - a dizzying, unabashedly kitschy stoner rom-com. I sung its praises + did a temp check on "Trans Cinema" below: reverseshot.org/reviews/entr...

Teenage Sex and Death at Camp Miasma

How do you make a film that feels like your own, when everything about your form has been tokenized, appropriated, wrongly treated as representative of your entire community? This is the impossible, i...

reverseshot.org

I have a big piece on CAMP MIASMA dropping later this year, but I'll just say now that I liked it a lot. I found it moving. It's a different tone than Schoenbrun's elegies to dysphoria, but not entirely. It's still about being in a body, but there's an attempt to make peace with that here.

I have a big piece on CAMP MIASMA dropping later this year, but I'll just say now that I liked it a lot. I found it moving. It's a different tone than Schoenbrun's elegies to dysphoria, but not entirely. It's still about being in a body, but there's an attempt to make peace with that here.

He's a primary aesthetic influence of this trans new wave that we are seeing. These filmmakers are not copying him, but working alongside his aesthetic ideas in a spiritual manner (the fantasia of People's Joker, the Inland Empire-esque nightmare of CM2, Schoenbrun's dysphoric otherworlds)

Willow Catelyn Maclay@willowcatelyn.bsky.social · 2d ago

A lot of Trans people like Lynch bc his films are situated in a strange liminal place of reality and an abstracted alternate reality and they phase between one another. The inbetweenness is welcoming & potentially synonymous to a quotidian low-humming dysphoria. A wrongness that many of us recognize

A lot of Trans people like Lynch bc his films are situated in a strange liminal place of reality and an abstracted alternate reality and they phase between one another. The inbetweenness is welcoming & potentially synonymous to a quotidian low-humming dysphoria. A wrongness that many of us recognize

Writing about anime is similarly close to writing about ancient religious texts. Do you want to cover the manga? The TV show? The rebooted TV Show? The Film? The gospels? The *other* gospels? Meanwhile, you are trying to find a new way to say, "it is fucking lit when the robot goes BZZZZZRRRR"

My husband has been working on this for a while now and it's very nearly finished. There's nothing he loves more than animation & this zine is a testament to that love. It's been very cool to watch him piece it together.

T. J. Dobbin@tjamesdobbin.bsky.social · 6d ago

For the last 7 months I've been working on my first zine. It's coming along nicely. 20+ pages devoted to the early years of sound animated short subjects. Coming later 2026.

Three zine covers side by side, red, orange, and yellow pages, respectively. CARTOON CHRONOLOGY: THE AMERICAN ANIMATED FILMS OF 1930 & 1931.

been really struggling to get out of the financial hole of this last year. cancelling my trip isn't enough. i hate doing this, it is a one-time ask, but if any help is greatly appreciated. i will also post a handful of things to sell by the end of summer. www.venmo.com/u/CatherineS...

Katie Stebbins | @CatherineStebbins

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