Alicja Kaniecka

@alkapibara.bsky.social

Translator witch from Poland. Works in various combinations of 🇵🇱, 🇬🇧 and 🇯🇵. If you need somebody to discuss Japanese murder mystery novels for hours, you're in luck. Proud member of @thewarlocs.bsky.social ✨

Translating games has almost nothing in common with translating books. - Nothing is linear - You often get the texts in disarray - Different UIs, menus & dialog styles = different contexts - Sometimes you don't even know which character's line you're translating

Riley Bruce@rileybruce.bsky.social · last mo.

What’s a thing from your area of expertise (or special interest) that you think it would behoove everyone else to know?

I'm thinking about getting a portfolio website (almost 6 years after I started freelancing full time, better late than never), mostly because I kinda want a blog (that presumably nobody would read), but I feel like it'd be a lot of effort to make it look the way I want it to look...

Higashino Keigo wrote using a technique Japanese calls "opening up" kanji: spelling certain words (e.g., ones that might use rare or non-standard kanji) in hiragana so a page reads faster and lighter. It's a big reason his novels are beloved by people learning to read Japanese.

How Higashino Keigo Improved My Japanese

In the wake of the beloved author's death, our author shares how Higashino Keigo's accessible writing made his own Japanese better.

unseen-japan.com

“She’s just a translator” shows that you don’t understand what translation is. Some of this comes from the ‘automation’ of translation, through things like Google translate. It’s as though it’s just looking words up in a dictionary. No. It’s an art and a science at once. To get meaning and feeling.

I recently completed a LQA project that had me bawling like a baby (for like, good, narrative-related reasons), and it reminded me just how much I love this job. So, so incredibly lucky to still be able to do this, despite the depressing state of the industry. I'll never take it for granted.

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📌 (summer '26 intro update) Cześć! I'm Anna, a Polish hobbyist multidisciplinary artist experimenting with various styles, digital and traditional. I usually draw animals (esp. birds) and other stuff inspired by nature. I often weave bits of Polish culture into the art as well. Dzięki za uwagę :)

A symmetrical digital drawing of two storks: black stork (left) and white stork (right). They're in a sitting position, facing each other, and touching the tips of each other's beaks and talons. There's a motif of leaves above their beaks between each other. A joint symbol of both sun and the moon is placed between their talons with a small star underneath. The storks are depicted in a stylized wycinanka (Polish papercutting)-based style. The background is a red sky with white and black clouds, much like the storks themselves.A symmetrical digital drawing in the style of Polish wycinanka (traditional papercutting) depicting two birds facing each other, surrounded by flowers and leaves. The negative space ("cuts") inside the birds and flowers are colored like various pride flags. The background is composed of a simplified orange nasturtia blossom with green foliage behind it.A digital drawing of an anthropomorphic female common kestrel in a jumping pose, wearing a Kraków suit (strój krakowski), what is known as the men's version of it. The background is half red and half white and red embroidery-like flowers are to the left of the kestrel, going from top to bottom.A stylized circular design in Polish folk art wycinanka style (inspired by gwiozda), depicting a colorful European starling (dorsal view), flying with a cherry in its beak. Flower stalks sprout out of its shoulders and cherry juice splashes out of the cherry and out of the starling's wings. The starling is surrounded by a simplified design of a blossoming flower bud.

I wish I could curse whoever it was that made Yahoo Chiebukuro not available in Europe. Them and ten generations of their descendants. It was such an useful resource for checking Japanese slang and similar things...

One of my favorite kind of Next Fest games are the ones that clearly are using AI, have no AI disclosures, but think it's at all reasonable to assume they have paid to translate their game into every language under the sun.

A list of languages supported by Gatekeeper Simulator: Inner Circle, a title that has a *lot* of text all rendered on its in-game iPad.  The image only contains about half the possible languages, starting with "Albanian" and through through to "Maori."  Among the languages this game supports are Igbo, Hindi, Hebrew, Dari, Bosnian, and Malay. It's a very worldly video game.

I'll be a guest at my hometown library's book club, because they've been reading a book I translated and I kind of wonder what I should talk about... Is there anything non-translators find interesting or want to know about translation? #booksky

As a translator, having results automatically translated regardless of my settings is very misleading. I want to know how native speakers are actually writing in their language. Does anybody know a way to make every search contain -"?tl="?

Let me tell you, the number of exclamation marks that I put in my reply after the lovely folks at LocQuest told me I'm going to work on this game was wildly unprofessional. I'm so pumped Paralives is finally here. Have fun! ❤️

LocQuest 🛡️ Ethical Localization@locquest.bsky.social · 4mo ago

The life sim game you’ve all been waiting for 🤗 @paralives.com is about building homes, lives and bonds. Through both hardship and success, where will your story take you? LocQuest’s story took us through over ❗️1,300 queries❗️ in 8 different languages. Now available in Early Access on Steam!

Paralives is now in Early Access on Steam for both PC and Mac, with localization by LocQuest.

The best advice I ever got when I started freelancing was, if you have to turn down work, always suggest someone else who could do it. I have been so lucky to benefit from that over the years.

This deserves attention! A whole book written by a Japanese Studies expert on a topic of Korean history relies heavily on AI tools for accessing the sources and acknowledges it clearly in the preface. Is this the kind of future we want for humanities?

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The mood swings that come with translating a book are not for the weak. One minute I feel like I'm doing amazing work, a while later I think that I can't speak any language and I should not be allowed to work with words. Repeat ad infinitum (or until the book is over).