Dr Amanda Sciampacone

@asciampacone.bsky.social

Senior Lecturer at The Open University. Art Historian interested in 19thC to 20thC British art and visual culture, disease, climate, empire, and air pollution, as well as museum studies and the legacies of empire in collections.

'Racism is structural but structures are not always visible; they become perceptible in encounters – in who is assumed to belong, who is interrupted, who is doubted, whose authority attaches effortlessly and whose must continually be demonstrated.' Wise words.

When the academic must become the evidence

Rina Arya argues Jason Arday's death raises a wider question about the autobiographical burden placed on academics of colour who write about race

wonkhe.com

"Art history gives you tools to interpret the visual world and makes you more of a critical viewer of political messages, advertising and a barrage of social media images. It’s dangerous if you can’t examine these things critically". apollo-magazine.com/art-history-...

Art history is too important to be the preserve of the privileged

The subject is endangered at A level just as it couldn’t be more essential or universal. Helen Barrett makes the case for its survival in British schools

apollo-magazine.com

Just recommended this to our @openuniversity.bsky.social A237: Art and Life before 1800 (www.open.ac.uk/courses/modu...) students, who are currently exploring the relationship between art and its environments, including a case study on mapping practices of Pacific Islanders.

Art and Life Before 1800 | Open University | A237

Explore the dynamic roles that art, architecture and other artefacts played in human life from prehistory up to around 1800.

open.ac.uk

Katie Parker@kparkerhistorian.bsky.social · 12mo ago

Issue 77.1 of @imagomundi.bsky.social is out! I co-edited this issue on Indigenous maps and mapping with Natchee Blu Barnd. Articles cover topics in North America, Africa, and Hawai’i. #newissue #histcart #maphistory #skystorians 🗃️

Spent a day at the British Museum immersed in their Hew Locke: what have we here? & Silk Roads exhibitions. Both are fantastic! The former critically explores the museum’s close ties to the British empire & the latter showcases the extensive connections btwn Asia, Africa, & Europe in 500-1000 CE.

Opening wall text of the exhibition next to a video of the artist Hew Locke explaining the exhibition.A view of artworks in display cases in the Hew Locke exhibition.A view of the Dunhuang section of the Silk Roads exhibition, showing artworks on display.A view of metal and ceramic vessels and statuettes in a display case in the Silk Roads exhibition.