Steve Crawford

@astrocrawford.bsky.social

Astronomer wandering through time and space. Likely to post about #Earth and #Space science especially #astronomy, Open Source Software, Open Science, and space. And hiking with our dog. Opinions are my own. He/him.

51 years ago I painted a trio of Viking related works for NASA HQ including the widely reproduced one of the landing on Mars. I have reimagined the Landing portrayal in updated form using digital methods of visualization and painting. I chose the same angle but with reality replacing anticipation.

This oil painting portrays the Viking 1 landing on Mars, which appeared in countless publications. The story of this work is relayed in an earlier post and is shown here for comparison with the new portrayal of this very view, showing the event as it would have appeared. 
This 1975 anticipatory painting was done with oils on a gesso smoothed 16 X 20 canvas panel, using traditional art methods including a tracing paper guide featured earlier. 
 This work shows in retrospect my ideal of the 'spirit of space art', showing something of a summary of what is known of the subject while conveying what it is about the subject's known or theorized attributes that I find visually compelling. The new digital painting updates that visual impression with one based on our current knowledge. The new digital work was also done at the same size as this one was for possible printing purposes, 16 by 20 inches at 300 DPI.
 #Sciart   In 1976 the pair of Viking spacecraft orbiter/lander combos were sent to Mars. Before Viking, Mars was still largely a place of our imaginations, an unknown that we wrote stories about then studied from Earth and space. The dominance of cratered terrain on the portions of Mars photographed by Mariners 4, 6 and 7 gave an initially Lunar impression of that world, which changed during the development of the Viking lander after Mariner 9 revealed the planet.
 The first landing was aimed for a flat flood plain, judged as a decent place to search for life. The landing date was July 4, however the intended site appeared too rough for comfort in the high quality orbiter photos, causing the landing to wisely be delayed. A smoother site further 'down stream' was found using photo and radar data.
The landing proceeded quite nominally, a magnificent achievement that apparently accounted for what it had to and made it the first time.

The first photo from the surface was a look at a footpad to see how solid the 'footing' appeared. Then a moderate resolution panorama of the surroundings was obtained, first showing the rocks, hills, dunes-and bright sky. The latter was my biggest surprise as a space artist. 

The adjustments to the color balance of the later photos were gradually narrowed down. The ubiquitous dust is planet wide, suspended in the air and coloring the sky a luminous tan ochre. 

This digital painting shows the view a meter above the surface seeing the lander briefly kicking up dust less than a second before touchdown with the footpads 1.4 meters high. The landing rockets were designed with many nozzles to disturb the surroundings as little as possible. The nearby disturbed dust resembles in color that of the sky. We are 6 meters away from the center of the lander. field of view is 60 degrees, we are looking Northwest with the Sun and Earth off the frame to the left.

This is a digital art update of the pre mission oil painting I did for NASA HQ 1n 1975.

  #Sciart

I am at the Patterson Park Simmer concert with Charm city songs and the Down Range army band. Someone just said ‘the point of the army is to preserve great music.’ And I’m like, I want to live in that future where the army is just composed of great musicians and that is their only purpose.

Holy cow! Feast your eyes a while, on this gorgeous solar spectrum by the Sol'Ex instrument (assembled by Váradi Nagy Pál). It extends to UV and IR as well as the visible band. Marvel at the F lines, the fine structure, the IR doublets and repeating lines, and the molecular bands. Wonderful! ☀️🧪⚛️🔭

A very broadband solar spectrum reveals the colors of UV, visible light, and infrared light that are missing from the solar spectrum.  The spectrum was collected by the "Sol'Ex" instrument, and assembled by Váradi Nagy Pál.

I looked at the machine-readable table 1 iopscience.iop.org/article/10.3... I co-discovered 101 of these 3000 brown dwarf candidates. I also co-discovered 2 candidate wide binaries (image). 🟣🟣🔄 (violet because that is probably their real color)

Two images with two red dots marked. The left image labels the dots as L8.5 and T2. The right image labels them as L9 and L5. Questionmarks were added because these are estimates based on their photometry.
Melina Thévenot🏳️‍⚧️@melina-iras07572.bsky.social · 4mo ago

Three Thousand Motion-Confirmed L and T Dwarf Candidates from the Backyard Worlds: Planet 9 Citizen Science Project arxiv.org/abs/2604.01323 I am co-author and table 1 has my name in it. Once it is published I can look at it again and see how many include AA (my discoverer code).

Credit and provenance are often removed when using a general LLM. This is a problem as much of the scientific culture is in providing credit and provenance. So if you are not careful, the new idea developed with a general LLM can be someone else’s that was hidden in the training data.