Ben Fletcher-Watson

@bfletcherwatson.bsky.social

Drama researcher in theatre for babies & relaxed performance. Deputy Director of IASH, University of Edinburgh. Trustee of Newcastle Theatre Royal. He/him

Oh yes it is! A delightful early Christmas present in today’s post: my chapter on theatre for children and young people in the new Routledge Companion to 20th-century British Theatre & Performance. Huge thanks to the editors, especially the incomparable Trish Reid!

Book cover for the Routledge Companion to 20th-century British Theatre & Performance, volume 2. Text from “Theatre and Younger Audiences”, chapter 23

In conversation with Laurie Ogden, Flo O'Mahony, Artistic Director of Zoo Co and sister to Rachel O'Mahony, explains the journey of bringing Perfect Show for Rachel back for a UK tour: following Rachel's leadership while the show grows and changes, with those involved changing with it!

How my learning disabled sister made the perfect show

As she revisits Perfect Show for Rachel, Flo O'Mahony reflects on the assumptions made about the tastes and decision-making capacity of learning disabled people

exeuntmagazine.substack.com

Two Fringe shows from today that are worth your money: Kanpur: 1857 at Pleasance Courtyard is a slow burn but tells an important story. Fab tabla accompaniment. DUSK/NIGHT/DAWN at Assembly Roxy really won me over by the end - doing something new and exciting with pole dance. Some gorgeous imagery.

Why use an AI-gen image that’s overtly sexist for a book calling for chapters on “Shakespeare and the politics of gender”? Why use an AI-gen image prompted by Venetian carnival/Commedia for a Shakespeare collection? Why use an AI-gen image at all? Pay. Artists. Properly.

Dr Ian McCormick@wokestudies.bsky.social · last yr.

Calls for Chapters. Shakespeare: New Voices [BOOK] Deadline for submissions: June 30, 2025 call-for-papers.sas.upenn.edu/cfp/2023/05/... Contributors are asked to provide an Abstract (300 words) and an Author bio (150 words) by 30 June 2025. Dr Ian McCormick

‘Stone suits the poetry. Or perhaps it’s the other way round. I think poetry suits stone, more than it suits paper, certainly more than it suits a screen. The poetry releases something latent in the stone.’ New: Kathleen Jamie visits the Canongate Wall in Edinburgh. www.lrb.co.uk/blog/2025/ju...

Kathleen Jamie | At the Canongate Wall

The Canongate Wall is a feature of the Scottish Parliament building in Holyrood, Edinburgh. Designed by Soraya Smithson...

lrb.co.uk

2025 marks 55 years since the first Fellows arrived at the Institute for Advanced Studies in the Humanities ( @iashedinburgh.bsky.social) at the University of Edinburgh. To mark its 55th anniversary, the Institute is planning a series of events - all info, programme & tickets 👇

55 years of blue-sky thinking - Dr Ben Fletcher Watson | SAHA: The Scottish Arts and Humanities Alliance

A joint initiative of Scottish Higher Education institutions, the Royal Society of Edinburgh and the Scottish Graduate School for Arts and Humanities.

saha.scot