Rose Ruane

@regretteruane.bsky.social

Artist, writer, sweetheart, battleaxe, she/her Novels This Is Yesterday & Birding with Corsair Books Rep: Becky Thomas at Lewinsohn Literary Chair of The Adamson Collection Trust: work created in the art therapy studio at Netherne hospital during the C20th

Really enjoying how this project keeps veering off in its own direction, playful & unpredictable in the spirit of the Mari Lwyd. Embellished this with fuzzy felt, Victorian jet mourning beads, my great aunt’s broken faux pearls & flowers my grandma embroidered onto napkins now too stained to save

A mari Lwyd embroidered in black thread on a cream linens cloth, the horse skull filled in with lace, eye socket ringed with pearls, wearing a garland on their head made of embroidered flowers
Rose Ruane@regretteruane.bsky.social · 3d ago

Further progress on my submission to @skullsandsheets.bsky.social brilliant fundraising auction for domestic violence charities. Not at all how I’d imagined it, ended up using pieces of a doily rather than sewing onto the figures I added to the vintage embroidered cloth* *Grumpy old cat not included

Painting created c.1950s, in the art therapy studio at Netherne hospital in Surrey, by an individual who was compelled to live there, whose identity is currently unknown to us. This image is from art therapist Edward Adamson’s lecture slides: the original is missing, presumed lost

Painting of three dark haired white woman, painted in a limited palette of black and red, on the left one wears a grilled dress and dances with a tambourine in her hand, in the centre a naked woman stands in a black box, appearing to be on fire as a red snake like form connects her to the figure on the right who is dressed in a skirt and jumper wrapped in its coils, she looks toward the central figure appearing coolly amused

Painting created by Brenda Marshall c.1950s in the art therapy studio at Netherne hospital, where she was compelled to live. Her work explores difficult family relationships & childhood trauma and runs the spectrum from figuration to abstraction, often combining elements of both

Painting of two royal blue shadow figures wearing dresses in the middle of a wood made of pale green trees in full leave on matching grass with yellow and red train tracks looping everywhere, a blue model train travelling along them in the right middle ground, in the centre of the landscape a small black summer house or pavilion.
It is painted in an untrained style and has the atmosphere of an uneasy dream

Painting created by Brenda Marshall c.1950s in the art therapy studio at Netherne hospital, where she was compelled to live. Her work explores difficult family relationships & childhood trauma and runs the spectrum from figuration to abstraction, often combining elements of both

Painting of two royal blue shadow figures wearing dresses in the middle of a wood made of pale green trees in full leave on matching grass with yellow and red train tracks looping everywhere, a blue model train travelling along them in the right middle ground, in the centre of the landscape a small black summer house or pavilion.
It is painted in an untrained style and has the atmosphere of an uneasy dream

Further progress on my submission to @skullsandsheets.bsky.social brilliant fundraising auction for domestic violence charities. Not at all how I’d imagined it, ended up using pieces of a doily rather than sewing onto the figures I added to the vintage embroidered cloth* *Grumpy old cat not included

A white lace edged tray cloth embroidered with pink blue purple and green flowers and grey spider webs, with two Mari Lwyds added in black thread embellished with pieces of a white lace doily, pearls, white buttons and beads, resting on a green duvet patterned with big yellow 1970s flowers.
To the right of it sits a fluffy black cat with big yellow eyes looking up the camera while the photo is being taken from above, she looks kittenish despite being old
Rose Ruane@regretteruane.bsky.social · 3w ago

Progress so far, only the barest bones of the Mari Lwyds sketched out, alongside existing embroidery. Finding the process pleasingly meditative, but the next stage will be more complex & detailed, almost akin to painting with thread & I’m thinking I might appliqué some sections with vintage fabric

Painting created c.1950s by Brenda Marshall in the art therapy studio at Netherne hospital where she was compelled to live. Her work explores traumatic family relationships & contains reoccurring motifs, such as the yellow path & turreted buildings, running the spectrum from realistic to fantastical

Painting in an untrained style of a tall slim white forensic long black hair and short fringe, wearing a knee length, long sleeved blue dress and flat brown shoes, standing waving at two puppets one of a sort of devils and the other of a blonde baby in a red and yellow striped Punch and Judy booth.
The booth is on an expanse of sickly green grass, in the both right a man in grey with black hair in a combover is standing with back facing the viewer, arms raised to face as if taking a photo. 
In the background, to the right of the booth, a red bus full of stick figures prepares to depart in front of a castle with a turret.
Behind them, a yellow path leads to two green hills where a coral Red Sea is in the distance.
The atmosphere is surreal and a little uneasy, it feels a bit like a painting of a dream. The style is a bit like a children’s book illustration

Painting created c.1950s by Brenda Marshall in the art therapy studio at Netherne hospital where she was compelled to live. Her work explores traumatic family relationships & contains reoccurring motifs, such as the yellow path & turreted buildings, running the spectrum from realistic to fantastical

Painting in an untrained style of a tall slim white forensic long black hair and short fringe, wearing a knee length, long sleeved blue dress and flat brown shoes, standing waving at two puppets one of a sort of devils and the other of a blonde baby in a red and yellow striped Punch and Judy booth.
The booth is on an expanse of sickly green grass, in the both right a man in grey with black hair in a combover is standing with back facing the viewer, arms raised to face as if taking a photo. 
In the background, to the right of the booth, a red bus full of stick figures prepares to depart in front of a castle with a turret.
Behind them, a yellow path leads to two green hills where a coral Red Sea is in the distance.
The atmosphere is surreal and a little uneasy, it feels a bit like a painting of a dream. The style is a bit like a children’s book illustration

Bought myself a big Toblerone & I feel like I’ve broken an unspoken law of the universe, as if nothing is sacred & there are no rules in the world. They are a present, a thing people bring you back from holiday: one does not just buy a big Toblerone, the same as one does not simply walk into Mordor

Just finished watching Theatre of Blood and it contains two of my main pre-adolescent, childhood crushes: Diana Dors & Hilliard’s painting of an Unidentified Youth Among Roses, as featured in the AA Treasures of Britain book

Painting created by Mavis Gensler c.1969, in the art therapy department at Netherne hospital, where she was compelled to live. Eyes appear as a motif in all her surviving works, which are otherwise abstract, featuring circles, spirals & webs. No biographical information is currently known to us

Painting featuring a vibrant orange background with visible brush strokes in veritical lines overlaid with a big black spiral over the top and a small drawing of a human eye in black in the top right corner

Fell back asleep there, and dreamt I was wearing a t-shirt that said “shop carefully please, teenage vampire werewolf drama llama glamour queen” and now I want one in the waking realm

Painting created by Mavis Gensler c.1969, in the art therapy department at Netherne hospital, where she was compelled to live. Eyes appear as a motif in all her surviving works, which are otherwise abstract, featuring circles, spirals & webs. No biographical information is currently known to us

Painting featuring a vibrant orange background with visible brush strokes in veritical lines overlaid with a big black spiral over the top and a small drawing of a human eye in black in the top right corner

Dear, darling old duffer, soundly sleeping on the couch, carefree as a kitten, snoring like a free jazz trumpet solo, blissfully unaware that I am a joyous mess, after a call from the vet to say that they’ve managed to excise all his cancer & that I’ll get to have him for at least a little longer❤️‍🩹

Close up photo on the face of an old sleeping black cat against some colourful velvet cushions and a crochet blanket

'Landing at the campsite, our pedantic anti-hero Keith Pratt reveals himself to be a frontrunner as one of the finest creations in British television, up there with Basil Fawlty, Mark Corrigan or Alan Partridge.' The Modern Relevance of #MikeLeigh's Nuts In May buff.ly/LXB3qOV

Nuts in May poster. Photograph of the leading couple in black and white with border and text in orange.

“Don’t dream it, be it,” I whisper to myself, finally fulfilling my fuckwild teenage fantasies of zipless adult fabulosity, defying stuffy squaredo norms by finally binning the shit kitchen scissors

In the late 1960s Puffin Books produced a series of films about some of their key authors. Here's the animated sequence that introduced them. The series included profiles of Alan Garner, Joan Aiken, Leon Garfield and Michael Bond.

Wildest, most cherished Bagpuss dreams finally fulfilled: today has provided the dream find of a ship in a bottle. The perfect seagoing soul of one, exactly the sort I’ve always longed for & well worth the wait. Now I just need a single ballet shoe, one chocolate biscuit & a small tartan hedgehog

Photo of the left hand side of a wooden mantle shelf covered in carefully arranged clutter, from left to right two 1960s long necked floral ceramic cats, The Observer book of weather, behind these series of mid century convex circular wall plaques above a large black one containing a faded taxidermied blue butterfly on cream lace, in the centre a model ship in a round dimple bottle, the pelican book of sailing, another larger black long necked ceramic cat, then along the front of the shelf, a small ceramic yacht, some shells and coral, a ceramic lighthouse and a magpie skull