Kate Levey

@brophylevey.bsky.social

Daughter of writer and activist Brigid Brophy (1929-1995)

2026 Reading 53: The Snow Ball by Brigid Brophy. Re-read (in Faber’s lovely reissue with Eley Williams’s introduction) because I was going to see Don Giovanni for the first time, an opera which informs (rather than inspires) this novel, that I hold closer to my heart than maybe any other.

Paperback book with a creamy white cover giving the title and author name in art nouveau script, embossed, the title in gold, with a baroque curlicue decoration. “Superb… Sheer artistic insolence” – Iris Murdoch

“Brophy’s novel is a riotous sendup of gender, gender expression, social conventions of all sorts—and, as such, is as relevant today as when it first appeared. A timely reprint of a postmodern masterpiece.” —Starred review, Kirkus Reviews

Bild

I’ll always honour the sheer balls of Brophy for using, as epigraph to her marvellous novel, a FOOTNOTE from her previous, non-fiction book. And why shouldn’t she? She is, after all, quite as good as she herself thinks she is.I salute her.

“That most fascinating subject for gossip, whether, when the opera opens, Don Giovanni has just seduced or has just failed to seduce Donna Anna, will no doubt go on being debated for another two centuries”
Brigid Brophy: Mozart The Dramatist, footnote.

“atque hoc evenit in labore atque in dolere, ut mors obrepat interim”
Plautus: Pseudolus, II, iii

(Translation: “and this happens in the midst of labor and pain, that death creeps up on us in the meantime”)

I’m preparing, with joyous anticipation, for my first live experience of Don Giovanni, by listening the hell out of it, and reading the divine Brigid Brophy, in both non-fiction and fictional mode. Mozart the Dramatist is rich stuff (veeery Freudian) but The Snow Ball is an absolute favourite novel.

Two books next to each other. A hardback copy of Mozart the Dramatist, subtitled The Value of his Operas to Him, and his Age, and to Us. Cover is a dark blue vault of sky with stars and a cloaked figure standard on a horned moon recumbent (the Queen of the Night from The Magic Flute). 

Second book is paperback copy of The Snow Ball (Superb… Sheer artistic insolence” – Iris Murdoch) with a foreword by ELEY WILLIAMS.

‘Male gay couples are, to the knowing eye, pretty clearly what they are, but from the start Firbank’s strategy, or perhaps simply his instinct, was to write almost entirely about women.’ Alan Hollinghurst on Ronald Firbank. www.lrb.co.uk/the-paper/v4...

Alan Hollinghurst · It’s queer how I’m lonely: Ronald Firbank’s Century

Quite naturally, as with any truly original writer, one had to learn how to read Firbank. A certain clue-seeking and...

lrb.co.uk

For a time Stephen Vizinczey lived at Coleherne Court in London, as did my maternal grandmother. Stephen and his wife became friendly with Brigid Brophy, who wrote in praise of his novel, In Praise of Older Women.

Maureen Duffy, who died in May, was in some respects my third parent. She arrived at our flat each weekday morning and stayed until the late afternoon, but often returned to go out with Brigid Brophy and Michael Levey in the evening. She enlarged my otherwise small family.

In the UK, it's called PLR (public lending rights) and it was campaigned for and set up in the 1970s by two amazing queer writers (& animal rights activists), Maureen Duffy and Brigid Brophy!

DJ Taylor's 2018 radio doc 'The Advance Guard of the Avant-Garde' on experimental 1960s British writers: BS Johnson, Ann Quin, Eva Figes, Brigid Brophy, Rosemary Tonks, Prynne & C Brooke-Rose. Views from Jen Hodgson, Jonathan Coe, Eimear McBride & Jeremy Noel-Tod. www.bbc.co.uk/sounds/play/...

Archive on 4 - The Advance Guard of the Avant-garde - BBC Sounds

DJ Taylor tells the story of an influential group of experimental 1960s British writers.

bbc.co.uk