Christopher Hilton

@chilton-bb.bsky.social

Head of Archive & Library at The Red House, http://brittenpearsarts.org. Archives, music, metadata; side orders of architecture, landscape history & electronic noise.

Seized the chance in passing today to pop into Wenhaston church and revisit the Doom painting there: whitewashed over at the Reformation, rediscovered in the 19th century and saved from destruction by sheer chance, and Exhibit A as to the amazing things that can lurk in humble parish churches.

A medieval painting of the Last Judgement, on a large arch-shaped board; outlines without paint show where it used to have a crucifix and two flanking figures in front of it.A small medieval church with flint walls and a square tower, with an overgrown and parched churchyard.

Sorting out the past week's photos: on Monday I drove down to London to meet with the Trust administering artist Milein Cosman's legacy and, blimey, Blackheath looks utterly scorched after weeks of heatwave.

An expanse of tawny, sunscorched grass, beyond which in the distance are trees, a church spire and very distant office buildings.

The parish church of St Cross South Elmham this afternoon, with the grave of Elizabeth Smart: odd that the author of "By Grand Central Station I Sat Down and Wept" should wash up in this quiet corner.

A church tower seen over parched stubble and between trees.A medieval church in a parched churchyard.The inside of a medieval church, with carved wooden bench-ends.A dark stone gravestone in a parched churchyard, with trees around its edges. The stone reads:

ELIZABETH
SMART
1913-1986
NON OMNIS MORIAR

The 1919 Housing Act - the Addison Act - received the royal assent on this day in 1919. 176,000 council homes were built under its terms and its standard of high quality housing set a benchmark for decades to come. A 1917 photo of Addison and housing from Newcastle, Lancaster and Winchester.

Portrait photograph of AddisonPendower Place, NewcastlePalatine Road, LancasterCromwell Road, Winchester

St Mary's church at Wherstead yesterday, featuring a view over sun-scorched stubble down to the Orwell and the A14 bridge. The extremely pre-feminist tomb of Lady Harland identifies her husband and her father's surname, but doesn't give her own name.

A medieval church, its graveyard yellowed by summer heat, surrounded by trees.A view over golden stubble fields towards a tree-fringed estuary, over which on the left strides a tall viaduct.A close-up of the side of a tomb, commemorating "Lady Harland, widow of Sir Robert Harland, Bart., and last of the Vernons of Great Thurlow..." who died in 1860 in her 83rd year.

One of those moments when the past reaches out and connects; a doll that was presumably lavished with love in the way children now connect with their favourite companions. We'll never know who that child was, and what personality they gave their doll, but it will have been like our own experience...

Nina Willburger @drnwillburger.bsky.social · 2w ago

Beloved toy: An over 1800-year-old rag-doll made from linen and stuffed with flexible filling, and dressed in linen garments. The hair is made of human hair. The eyes, eyebrows, and mouth are painted on. The doll is one of the most elaborate of its kind and presumably belonged to a... 🧵1/2

A rag doll made from stitched cloth with a stuffed torso and long sewn legs, dressed in a coarse beige tunic that shows holes and mending. The doll has dark, tousled textile hair; a pale, painted face with simple eyes and mouth; small gold earrings hanging at the sides of the head, wearing a neck ring and bracelets too. The doll is shown upright against a black background.

A pleasure to have lent one of the artworks from the Red House collection to this exhibition: great to see the Two Roberts recognised again. In Nottingham now, then moving on to Kilmarnock as the Roberts return to Ayrshire at last.

Art UK@artukdotorg.bsky.social · 3w ago

‘Robert MacBryde and Robert Colquhoun: Artists, Lovers, Outsiders’ at Nottingham Castle traces the rise and fall of an extraordinary couple, curated by Damian Barr. Find out more about this exhibition and hundreds of others on Bloomberg Connects 👉 https://www.bloombergconnects.org/

Born on this day in 1888, writer Raymond Chandler: here's Auckland Road, London SE19, and the blue plaque on his childhood home. Down these mean streets, a man must go; for many years, in my case, on the way to the GP or walking my son to school, trying to feel hard-boiled but not really managing.

A leafy street, with Victorian villas on the left and a London Transport bus stop on the right.A Victorian villa, set up a gravel drive behind a hedge, with a blue plaque next to an upstairs window.

I never knew it was Catherine Storr who said this about "Crash" (I do recall Ballard chuckling fruitily about it in an interview). Odd that the author of "Marianne Dreams" should treat "Crash" as evidence rather than fiction; though the protagonist being called "Jim Ballard" does muddy the waters.

David Quantick@quantick.bsky.social · 2w ago

My favourite fact about Catherine Storr saying of JG Ballard's Crash "This author is beyond psychiatric help. Do not publish" is that she wrote Marianne Dreams, the scariest novel of all time.

A day's TOIL poking about took us to St Mary Magdalene Withersdale Street, near the Norfolk border: very simple interior with Jacobean pulpit and some repurposed bits of rood screen in the pews, and a Norman font too chunky for the 17th century monument-smashers to have done much to.

A small church, with a bell turret at the near end, in an overgrown churchyard yellowed by summer.The interior of a single-aisled medieval church, with simple Jacobean furnishings: box pews, canopied pulpit and boards with the Creed either side of the east window.The interior of a single-aisled medieval church, with simple Jacobean furnishings:, looking west from the lectern over box pews towards a dark wooden west gallery.A chunky square church font, decorated with low bas relief floral carvings.

Stumbled on a sign of the times on this day 6 years ago: July 19 2020, first trip out to poke round churches for a while, took us to Bruisyard where we met a porch filled with infection-control measures and a large cat, clearly starved of company, that came over shouting and demanding stroking.

A pump-action bottle of sanitiser and a box of surgical gloves, on a bench in a church porch.A spray-can of sanitiser resting on a laminated notice reading "Covid 19 / Following Govt Guidelines / LET US SPRAY / And Keep Sovial Distance"A notice on the porch noticenoard of St Peter Bruisyard, explaining that during the Covid 19 pandemic the preferred method of donation is contactless giving.A sleek black cat looking alertly about a graveyard.

Strong endorsement: I went down Quanea Drove when I saw it on the map and got curious about what it was like down there (as ever, thanks, Ordnance Survey!), and it's a great location to photograph Ely Cathedral riding its hill over the Fens.

Veronica in the Fens ~ My Heart in Nature@veronicainthefens.bsky.social · 3w ago

July is a great time of year to capture the sunset over Ely, from Quanea Drove in Stuntney. Here with Ely Cathedral the ‘Ship of the Fens’ with a glowing sky. Ely, Cambridgeshire 🧡

Crystal Palace station on this day in 2009: new platforms being built for the Overground service that would start the following year. We're on the old platform 4, which is now closed off: trains to London Bridge are now boarded on the other side, from the new platform under construction here.

A view across tracks at a railway station where building works are taking place. A new platform is being built between two widely separated lines. Most of the view is in the open, but down the tracks to the right the lines enter arches within a large blank wall with projecting curved bridges indicating that arched roofs used to cover the whole station.