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Daniel Machacek

@danielmachacek.bsky.social

Space nerd, Image processor, Lazy photographer, Humanist

150 Posts1606 Follower195 Folgt
Don Davis@ddavisspaceart.bsky.social · 2d ago

51 years ago I painted a trio of Viking related works for NASA HQ including the widely reproduced one of the landing on Mars. I have reimagined the Landing portrayal in updated form using digital methods of visualization and painting. I chose the same angle but with reality replacing anticipation.

This oil painting portrays the Viking 1 landing on Mars, which appeared in countless publications. The story of this work is relayed in an earlier post and is shown here for comparison with the new portrayal of this very view, showing the event as it would have appeared. This 1975 anticipatory painting was done with oils on a gesso smoothed 16 X 20 canvas panel, using traditional art methods including a tracing paper guide featured earlier. This work shows in retrospect my ideal of the 'spirit of space art', showing something of a summary of what is known of the subject while conveying what it is about the subject's known or theorized attributes that I find visually compelling. The new digital painting updates that visual impression with one based on our current knowledge. The new digital work was also done at the same size as this one was for possible printing purposes, 16 by 20 inches at 300 DPI. #Sciart In 1976 the pair of Viking spacecraft orbiter/lander combos were sent to Mars. Before Viking, Mars was still largely a place of our imaginations, an unknown that we wrote stories about then studied from Earth and space. The dominance of cratered terrain on the portions of Mars photographed by Mariners 4, 6 and 7 gave an initially Lunar impression of that world, which changed during the development of the Viking lander after Mariner 9 revealed the planet. The first landing was aimed for a flat flood plain, judged as a decent place to search for life. The landing date was July 4, however the intended site appeared too rough for comfort in the high quality orbiter photos, causing the landing to wisely be delayed. A smoother site further 'down stream' was found using photo and radar data. The landing proceeded quite nominally, a magnificent achievement that apparently accounted for what it had to and made it the first time. The first photo from the surface was a look at a footpad to see how solid the 'footing' appeared. Then a moderate resolution panorama of the surroundings was obtained, first showing the rocks, hills, dunes-and bright sky. The latter was my biggest surprise as a space artist. The adjustments to the color balance of the later photos were gradually narrowed down. The ubiquitous dust is planet wide, suspended in the air and coloring the sky a luminous tan ochre. This digital painting shows the view a meter above the surface seeing the lander briefly kicking up dust less than a second before touchdown with the footpads 1.4 meters high. The landing rockets were designed with many nozzles to disturb the surroundings as little as possible. The nearby disturbed dust resembles in color that of the sky. We are 6 meters away from the center of the lander. field of view is 60 degrees, we are looking Northwest with the Sun and Earth off the frame to the left. This is a digital art update of the pre mission oil painting I did for NASA HQ 1n 1975. #Sciart
Andrea Luck@andrealuck.bsky.social · 4d ago

CNSA’s Tianwen-1 mission has recently released new images of Mars, including this view of the Charitum Montes in the southern rim of Argyre Planitia. Full size 6K & more info: flic.kr/p/2ssvpEm Image Processing: Andrea Luck Raw data: CNSA/CLEP/PEC/MoRIC Mosaic of 4 images 2025-12-04 235km altitude

A satellite view of the Charitum Montes mountain range, with rusty brown peaks and ridges contrasting against more soft cream coloured plains. Bright seasonal frost blankets much of the slopes in varying intensity altering the usual rusty reddish colour of mars and contrasting with dark valleys and scattered impact craters.
ESO@eso.org · last wk.

The conclusion of a century-long quest 😲 Our VLT obtained firm evidence that Betelgeuse, a red supergiant star in the Orion constellation and one of the most famous stars in the night sky, is not alone! 🔭 🧪 1/4

A collage of various astronomical images. The background image shows a wide view of a starry night sky, with blue lines connecting the stars of the Orion constellation. An inset image zooms into the star Betelgeuse, showing its orange surface. A second inset shows a bright companion next to the star. Image by ESO/M. Montargès et al. Background: N. Rissinger (skysurvey.org).
Don Davis@ddavisspaceart.bsky.social · 2w ago

After the 1st context panoramas, the next anticipated image was the first color photo. This arrived and was printed initially too blue, then the next adjusted image came out too reddish. Later work quantified the surface and sky colors in results consistent with the observations of later missions.

The first color photograph from the surface of Mars arrived about 24 hours after the landing as grayscale 'scans' of the landscape with the red, green and blue filters. The 3 component images came in with the red brightest and the blue the dimmest, which when initially combined appeared so red that they were skeptical of the colors. The initial hurried release of that image occurred 8 hours after the data was received. The intent was to make the sky a neutral gray, but during the photograph's mass printing from a master negative the color balance of that first batch somehow drifted toward the blue, giving an initial 'Earth like' impression to the scene and sky. This initial release (upper left) appeared on TV news and the covers and color spreads of many magazines. Later (lower left) A slightly 'over corrected' version emphasizing the reddish ambience was released. Later work with the digital files shows an approximation of the scene as if lit by noon sunlight with minimal ambient contribution (upper right) and an approximation of the scene with the ambient lighting from the bright butterscotch colored sky factored in (lower right). This is the closest to what eventual human explorers could see and photograph there with their own cameras. The initial prints were distributed, I was fortunate to get one which I still have, and a large color print was shown on an easel, which people were gathered at transfixed, staring at this first 'window' into Mars. High end color CRT monitors with that image were scattered across the press area. They were adjusted better than the prints, using separate RGB adjustments in the back. I got close to one monitor and someone warned me not to touch it, that someone had just gotten yelled at by Jim Martin for playing with the colors! I later learned more about this story, which contributed to a conspiracy narrative which the early internet conveyed that NASA was trying to hide the true Earthlike appearance of Mars.
Don Davis@ddavisspaceart.bsky.social · 2w ago

Mars as imagined just before the landing. This painting, one of a trio done for NASA HQ, ended up being used for the JPL landing press badge. What a thing that was to see when I arrived and signed in!

This painting was, as is much of Astronomical/Space art, a summary of what was known of the subject as well as what about it I found visually appealing. Low gravel bar ridges and dunes dominate the scene, based on the original landing site chosen in Chryse Planita. A suggestion of sedimentary layering is shown in the lower right foreground knoll. The sky was portrayed as blue, making the assumption that it would be like a Stratospheric altitude Earthly sky. Earth is the daylight star just to the left of the lander. The aeroshell on it's parachute from which the lander was dropped drifts downwind in the distance to the left. The reference materials I had available then were a step or two short of how the lander actually appeared, with the biggest difference being the lack of the rubbery fabric covers over the propellent tanks. #SciartThe press badge issued to media at the JPL press area. The last appearance of the Mars of old based on imagination and educated guesswork. This badge is now among my treasured trophies.
Ted Stryk@tedstryk.bsky.social · 2w ago

Today in 1976, 50 years ago, the Viking 1 lander touched down on Chryse Planitia, Mars, and became humanity's first long term outpost on another world (the Venera Venus landers lasted an hour or two, Viking 1 lasted over 6 years).

A view from Viking 1 in 1976, showing Martian dunes and the boulder "Big Joe."
Don Davis@ddavisspaceart.bsky.social · 2w ago

The first glimpse of the Martian surface was long anticipated. Bonestell's art dominated ideas of what Mars was like, basically the desert Southwest with most air absent. The idea of a dark blue sky on Mars persisted in space art until that morning. Here are those first looks at the Martian surface.

Top: the first view of the Martian surface, which appeared in slow steps left to right as the data came in. They wanted first thing to know if the lander was on solid ground and not too buried, sinking etc. The imaging sequence started 25 seconds after landing and continued for 5 minutes as the camera scanned a vertical line at a time moving to the right to scan the next. Having the orbiter relay the data took another 20 minutes. At left a brightening in the image can be seen that intensifies then fades, followed by a darkening that soon goes away. That represents a kind of record of the dust kicked up by the landing that brightened the field of view, then the shadow of the dust cloud briefly darkened the scene. The prominent angular rock near upper center is about 10 cm (4 inches) across. This first peek reassured everyone that the lander was on solid ground. A little dirt kicked up by the lander rockets can be seen pooled in the footpad. Bottom: 6 minutes after landing the second photo was obtained, a lower resolution 300 degree wide panorama of the surroundings taking in the scene in 9 minutes. At once the character of the scenery showed its distinctive nature, rocky and lightly even ground with small drifts and patches of lighter fine dust. The presence of dust in the atmosphere brought a brightness to it that was not anticipated, as an artist that was the major revelation I felt when looking over the scene. The atmospheric density was known to be like Earth's at 40 kilometers or 130,000 feet, so any noticeable blue sky brightness should only be evident near the horizon. In reality, the eternal presence of wind blown dust makes the sky a luminous version of the color of the ubiquitous surface dust, especially in the quarter of the sky near the Sun. Suddenly rendered dated were all those paintings by Bonestell, Pesek and others which were done between the times of the Mariner missions and the Viking landings, showing interpretations of known features but … I had my Polaroid SX-70 camera with me when just after the landing I was suddenly escorted from the press area into into the imaging team room, hastily badged and plopped in front of some of the many monitors in the area which steadily unveiled the first two looks at the Martian surface. No journalists were there dur to JPL PR department policy, but I got a few photos and a sound recording of the excited chatter of the geologists seeing Mars revealed. "Look at the exposure on that S_O_B" I remember hearing when the prominent rock appeared. Then the President called in his congratulations which went over the PA system. A highlight of my life, onr of several instances where I was in the Coolest Place in the world at that moment. My carefully obtained Polaroid from a monitor in the Imaging team area, at the conclusion of the introductory scanning of the first photo obtained of the surface of Mars.
Daniel Machacek@danielmachacek.bsky.social · 3w ago

Almost exactly 11 years ago, the New Horizons spacecraft flew by Pluto. I have some new projects in the works regarding the Pluto-Charon system, but none are ready for publication yet, so at least I'm sharing my last year's map of Pluto in the Mollweide projection.

Daniel Machacek@danielmachacek.bsky.social · 10mo ago

My new color photographic map of Pluto is now online. Full resolution image version (~322Mpix) is available on Flickr www.flickr.com/photos/10958... PDF version (~73MB) is available here: drive.google.com/file/d/1EW-x... 🧵 1/5

Small preview of color photographic map of Pluto in Mollweide oblique projection. It contains one large global map with four small hemispheric maps and basic description. Full version of this map is available for download in links in the main post. Credit: NASA/JHU-APL/SwRI/Marc W. Buie/ESA/Daniel Machacek.
Daniel Machacek@danielmachacek.bsky.social · last mo.

I'm currently working on map(s) of Titan. Part of this project is new basemap of Titan combining radar and infrared data. I still have a lot of work to do but the radar part is almost done. Here are examples of current state in Mollweide projection and area around Bolsena Lacus at ~full resolution.

Black-and-white map of Titan in Mollweide projection combining practically all usable high resolution radar and near infrared data obtained by Radar instrument and ISS camera onboard Cassini spacecraft.Small section of high resolution black-and-white radar/NIR map of Titan in stereographic projection showing area around Bolsena Lacus with part of Jingpo Lacus visible on the right part of image.
ESO@eso.org · last mo.

🚨 Beyond the limit 🚨  New ESO study finds that current proposals to launch 1.7+ million satellites into orbit would have devastating consequences for astronomy. The most extreme proposals come from SpaceX & Reflect Orbital  🔭 🧪 ☄️ #DarkSkies #SatelliteConstellations 1/4

Credit: F. Kamphues, ESO/M. Kornmesser. The background of this image shows a starry sky, including the bright lane of the Milky Way. Hundreds of bright streaks cross the sky in different directions, as if scratching the background natural sky behind it. The bottom of the image is occupied by the dark silhouette of a mountainous desert landscape. Atop the mountain at the centre, is a small, distant metallic dome and yellow-orange lasers shine behind it.
Jackie Branc@jackiebranc.com · last mo.

I need your help. As a photographer & citizen scientist of 20+ years, I face a tough roadblock: a past legal debt stalling my lupus treatment & relocation. If you can’t donate, PLEASE REPOST. Every share matters! 🙏 whydonate.com/fundraising/... #MutualAid #Lupus #SoberLife #Crowdfunding

Fundraiser by Jakub Bińkowski | Refueling the 1978 Engine: Help Jackie Overcome the Final Hurdle

Jakub Bińkowski Needs Your Help | (Auf Deutsch unten / German version below) Hello everyone, My name is Jackie Branc (My deadname still appears on my documents— Jakub Bińkowski). For most of ...

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