Dave

@daveturner.bsky.social

They set a slamhound on Turner's trail in New Delhi, slotted it to his pheromones and the color of his hair.

Finally tumbled to a stop at the end of S1 of Le Bureau thanks to @epicciuto.bsky.social. Giddy from everyone making correct decisions based on the wrong information, a tour de force of dramatic irony. Unrivaled go-for-broke energy for a show that runs four more seasons.

Less encumbered by Patrick O'Brian's 18th-century nautical fetishism than his punctuation. I'd gain two or three knots in speed if he'd reefed the colons and semicolons.

I interviewed 83-year editor & sound designer Walter Murch, a legendary figure. The Godfather trilogy, Apocalypse Now, The Conversation, Ghost, The Unbearable Lightness of Being...and The English Patient, which turns 30 this year. Info on a free zoom talk included. www.rogerebert.com/interviews/t...

Editing As Music: An Interview with "The English Patient" Craftsman Walter Murch

The acclaimed editor and sound designer talks about the poetry of the edit in Anthony Minghella's classic, and his approach to his craft.

rogerebert.com

[the Minotaur at the Fall Festival erupts from the edge of the maze clutching corn stalks] this structure is no challenge, no punishment for the hubristic and the wicked. Frankly embarrassing.

Overlooked in discussions of Manchester City penalties are the executives and accountants who actually cheated. I read that club representatives intentionally lied during the investigation. Their names should be part of the furor prior to their lifetime bans from English football.

My fallible memory insinuates I saw this for the first and only time on the big screen when it played IFC years ago. It never left my memory. I will return for the Sunday morning service to reaffirm my faith and my salvation.

filmlinc.bsky.social@filmlinc.bsky.social · 4w ago

👿 All I do is SIN: secure your 🎟️ to our one-week engagement of Ken Russell's THE DEVILS (1971), an #NYFF64 Revivals selection being presented on a beautifully restored 35mm 🎞️ print beginning October 16! 🎟️: filmlinc.org/devils

RIVALS OF AMZIAH KING isn't getting enough credit for its screenplay. All of its characters and stories work like spinning tops in reverse: wobbling before rising perfectly onto their tips. The dialog has the same baroque pleasures of a Charles Portis novel.

A game like MCDM's Crows buries its GM dependency. "Player skill" really means "GM skill" in an RPG with that much GM authority. Players can't have brilliant, ingenious ideas of the GM can't or won't support them. Like all RPGs, the proof is in the book's GMing advice.

Ahh! It's out, it's out! Beware! Run for the hills! Protect yourselves! THE CALAMITIES has escaped its prison deep in the void and is now appearing on bookshelves in libraries and bookstores everywhere! Shit! Shit!!

The Demons! The Demons Are Free! The Calamities Is Out!

The Calamities (Book One of The Fiends) is now out, rampaging through the populace, gamboling about, claws at the ready, teeth sharp, and its countless eyes fixed upon you. So, I do hope you’…

terribleminds.com

Amused to see François Vatel valorized in the new Bourdain movie by Bourdain's mentor. Vatel famously ran himself through with a sword over the lateness of a seafood delivery intended for a 2,000-person banquet honoring Louis XIV. I first learned of Vatel via this quotation.

"If Vatel can ruin Louis XIV’s dinner by dying, then Vatel is too necessary for either the prince’s or the king’s honor to bear. The best servant can never be truly indispensable."