Ana Yara

@aytranslator.bsky.social

The ARENAS exhibition "Going Extreme: How Extremist Narratives Are Destroying Democracies" opened on 5th May at Heinrich Heine University Düsseldorf @hhu.de, marking its first presentation outside Spain and another key milestone in sharing ARENAS project results internationally.

Bild

Continuiamo con gli articoli del Glossario dell’estremismo di destra che coordino per @arenasproject.bsky.social e che si pubblica su MicroMega. Questa settimana tocca a “Red Pill” di @aytranslator.bsky.social Il glossario si può ascoltare anche in formato podcast. www.micromega.net/red-pill

Red pill

Da metafora cinematografica la red pill è diventata una – pericolosa – cornice di senso per esperienze di frustrazione e malcontento.

micromega.net

Tremendamente interesante este artículo de mi compi @aytranslator.bsky.social  sobre memes y cómo el humor digital en la extrema derecha construye identidades y visiones políticas. Imprescindible para entender la política actual 

Relational Humor and Identity Framing in the “Virgin vs. Chad” Meme Format

Extremist narratives combine two relational dynamics: the in-group is portrayed as both socially superior and simultaneously victimized by an antagonistic out-group, which legitimizes hostility or defensive solutions. Despite their relevance, such narratives remain comparatively understudied. To date, little research has examined how extremist narratives are represented through memes, and particularly how humour operates within memetic forms. This article develops and tests a three-layered analytical framework for examining humour in extremist digital cultures. The framework integrates insights from narrative studies, multimodal discourse analysis, and humour theory to capture how memes condense antagonisms, stabilize symbolic contrasts, and calibrate affective positioning. The Virgin vs. Chad meme format is used as a case study due to its binary archetypal structure and recurrent circulation in Spanish far-right meme ecologies. The study draws on 1225 posts on X (May–August 2024), from which 17 memes employing the format were selected for in-depth qualitative analysis. The findings show that the format performs symbolic compression by staging binary oppositions between in-group and out-group identities, typically valorizing figures associated with nationalism, masculinity, and epistemic certainty while delegitimizing those linked to progressivism, pluralism, or emotional expressiveness. These meanings are stabilized through repeated visual and typographic conventions, including character archetypes, split-panel layouts, and indexical stylization. Humour arises through devices such as irony, reversal, exaggeration, and incongruity, which render these oppositions as recognizable contrasts. By integrating insights from humour theory, narrative framing, and multimodal discourse analysis, the article contributes a methodological model for examining how memes condense and circulate antagonistic distinctions in online political ecologies.

mdpi.com

This session explored key conceptual and methodological questions around narrative, discourse, and extremism. Presentations were delivered by Michele Linardi of CY Cergy Paris Université, Nora Gattiglia from the University of Genoa, and Ana Yara Postigo Fuentes.