Chris Doward

@chrisdoward.bsky.social

Born in South London. Moved from Southwark to Norfolk many moons ago. Will probably end up posting mostly the landscape around Sheringham. The penny dropped and the mechanism emitted a faint whirring noise.

My pal Danielle Koenig shared that her father Walter Koenig passed away last night at age 90. A performer whose kindness and warmth shone through the screen. He will be well remembered.

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My apologies to anyone else who’s old enough not to want to be reminded just how fucking long ago it was, but: today is the 41st anniversary of the release of Cloudbusting—so it must be time to tell you about Wilhelm Reich and his orgasmatron...

Cover art of Cloudbusting single, showing Kate Bush as Peter Reich, sitting on his father’s rain machine, with its huge blunderbuss barrels pointing at the sky

But one of the best things his work has given rise to, at least as far as teenagers of the 1980s are concerned, is that video. And one of the best things I’ve found about *that* is the Dazed article, in which Donald Sutherland talks about how he got the gig—and Kate Bush being wasted:

Donald Sutherland: “Barry Richardson, who was the hairdresser on Nic Roeg’s Don’t Look Now, asked me if I’d do a music video with Kate Bush. I told him no and we went on to other conversations. A couple of days later there was a knock on my door. I lived in the Savoy Hotel (in London). On the river. Suite 312. I loved it there. So cosseted. So private. Only the floor butler rang the door. I opened it. There was no one there. I heard a voice saying hello and I looked down. Standing down there was a very small Kate Bush. Barry had told her where I lived. What can you do? She wanted to explain what her video was about. I let her in. She sat down, said some stuff. All I heard was ‘Wilhelm Reich’. I’d taken an underground copy of his The Mass Psychology of Fascism with me when I went to film (Bernardo) Bertolucci’s Novecento in Parma. Reich’s work informed the psychological foundations of Attila Mellanchini, the character Bernardo had cast me to play. Everything about Reich echoed through me. He was there then and now he was here. Sitting across from me in the person of the very eloquent Kate Bush. Synchronicity. Perfect. She talked some more. I said OK and we made ‘Cloudbusting’. She’s wonderful, Kate Bush. Wonderful. I love that I did it. (What do I remember) about doing it? I remember being in the car and the hill and them taking me, taking Reich, away and looking back through the back window of the car and seeing her, seeing Reich’s son Peter, standing there. And I remember the first morning on set seeing her coming out of her trailer smoking a joint and I cautioned her, saying she shouldn’t smoke that, it’d affect her work, and she looked at me for a second and said she hadn’t been straight for nine years and I loved her.”

The future Grand Paris Express station Villejuif - Gustave Roussy is a masterpiece. It connects metro line 14 (already operating) to the future line 15 in this massive station. I counted a total of 24 escalators. It was eerily quiet since it’s not yet an interchange station.

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I think the most important news from history today is that it’s the 39th anniversary of the (US) release of The Princess Bride—and what better way to mark the day than remind ourselves of Cary Elwes’ story about André the Giant and the enormous, life-altering, earth-shaking fart?

The front of a storm out on the North Sea off Sheringham this evening, 28/08/26. On the front edge there is a heavy burst of rain visible underneath the clouds, with the rain being a bit lighter behind. A calm sea is in between.

The front of a storm out on the North Sea off Sheringham this evening, 28/08/26. On the front edge there is a heavy burst of rain visible underneath the clouds, with the rain being a bit lighter behind. A calm sea is in between.