Rosemary Lee

@machineagency.bsky.social

Artist Researcher, University of Porto i2ADS/Faculty of Fine Arts +Multimedia/Engineering Fellow, Akademie Schloss Solitude PhD in Digital Design, ITU, Copenhagen Author: Algorithm, Image, Art, 2024 https://rosemary-lee.com

My exhibition Matéria Escura Digital opens at gnration in Braga, Portugal at 16:00 on the 10th of October. The project is supported by DGArtes --- A recepção pública para a minha exposição Matéria Escura Digital está agendado para 16:00 no 10 otubro no gnration em Braga. Projeto apoiado pelo DGArtes

black and white image of light going through several square prisms

It was an honor to chair such a rich paper session at @xcoax.org Thank you so much to the presenters and their coauthors for their thoughtful discussions. My travel was supported by COST (European Cooperation in Science and Technology) as part of the COST Action CA23158 – Artistic Intelligence.

photo of Rosemary Lee presenting speaker Marc Böhlen in front of a screen and gold framed paintings in the background

Mainstream Respectable opinion is that people joking about a bad person's death represents a culture of cruelty, but really it represents a culture of impunity. It's a coping mechanism for watching someone do evil their whole life and never seeing consequences

Do not make tribes, this will only strengthen the social order that will be imposed upon you. Do not willingly gather into mono-cultures. Do not become neatly sorted, labelled, and categorized. It will only take a single blight to wipe you out, because you will be sorted by your weaknesses. 6/7

"Convenience happens to be capitalist ideology. If art must take the shortest route to its effects, we've submitted to that ideology. Yet art can be enormously inconvenient! Art can luxuriate. Wander. Its distance from the prerogatives of the powerful is precisely where its force of resistance lies"

Art for Our Sakes | Zadie Smith

I wasn’t going to come today. Partly because the act of coming here—to America, as a non-American—is now a fraught, stressful, and even dangerous

nybooks.com