Caetlin Benson-Allott

@caetlin.bsky.social

Professor of English and Film & Media Studies, marathon runner, shih tzu fanatic. If you're looking for more info, check me out at www.benson-allott.com

Reading philosophies of shame for an upcoming essay on Below Deck and discovering that I already thoughtfully, thoroughly highlighted all the passages I need now. But... when? why? Did I write something about shame that I have since repressed?

1: pls know that there's no way to search "butt shot" in a way that brings up useful histories or outstanding instances of this cinematic trope. 2: any recommendations for criticism of butt shots, either specific instances or as a trope? 3: anyone willing to share favorite filmic butt shots?

There are way too many necessary causes that need our support right now but as co-chair of @scmstudies.bsky.social's Precarious Labor SIG I hope some of you might consider donating to SCMS' fund if able. We had 120+ applicants (!!) request membership fee waivers. Our lottery could only cover 43. 😑

Society for Cinema and Media Studies@scmstudies.bsky.social · 2y ago

Join us for Giving Tuesday and help us create opportunities for those within our community by donating to the Precarious Labor Organization Fund! More information and link to donate here: https://buff.ly/49zDd6N

Updated my MSWord and Excel with GU-licensed software and now both are ReadOnly. Because it seems that's all GU paid for (unless I work only online, which no). I had to set up a private acct to restore access to Word and Excel. In short: I can write as a private person but not as Georgetown faculty.

So, so happy to report that my article on I Saw the TV Glow and Jane Schoenbrun's horror trilogy is out now in Film Quarterly. If you haven't seen this fantastic film, please do! If you're interested in my take, you can find the essay at doi.org/10.1525/fq.2... or DM me for a PDF.

Life-Affirming Horror and the Films of Jane Schoenbrun

Filmmaker Jane Schoenbrun’s trilogy of films are not horror movies but movies about horror media that collectively proclaim horror’s value for its trans, queer, and otherwise vulnerable fans. A Self-I...

doi.org

Narrative complexity aside, if seriality was the guiding principle of Peak TV, what would you call the opposite of that--i.e., TV series that impose a full narrative reset at the end of each episode? It's not the same as a floating timeline... narrative stasis? episodism? Taking all suggestions!

Gut check, folks (esp film folks): the line "Come on, legs" from "Ease on Down the Road" in The Wiz, that's a reference to the "Come on, legs" verse from "Come on Feet" in Sweetback's Baadasssss Song, right? Or am I just hearing that because I'm writing about both of them?