Holly Fletcher

@drhollyfletcher.bsky.social

Early modern historian researching bodies, material culture & environments at UCL https://profiles.ucl.ac.uk/106276-holly-fletcher/about 'Body Size in Early Modern Germany' (OUP, 2026) https://academic.oup.com/book/62409

🎉 Congratulations to Dr Chloe Ireton on the forthcoming publication of Plotting for Freedom this November! 📚 A powerful new contribution to the history of slavery, resistance and the Atlantic world. Congratulations, Chloe! 👏 shorturl.at/TsSpH

Plotting for Freedom: New book by Chloe L. Ireton

Congratulations to Dr Chloe Ireton, Associate Professor in the History of the Iberian World, 1500–1800, on the forthcoming publication of Plotting for Freedom in November 2026.

shorturl.at

🚨 Amazing #EarlyModern research degree opportunity: The University of Melbourne (Australia) is looking for a Ph.D Candidate who will work as part of an ARC-funded project on "The History of the Hourglass” (c. 1300-1600) ⏳ 🔗 More Info: shorturl.at/3NoNq #HistSTM

Histories of the Hourglass : Find an Expert : The University of Melbourne

<p> <span>Applications are invited for a PhD position as part of the Australian Research Council funded project The History of the Hourglass.</span> </p> <p> <span>This PhD research opportunity forms part of a project that undertakes the first history of the hourglass from its origins c.1300 through to its global circulation in the sixteenth century. The most precise time-measurement device of its era, the hourglass changed the course of history through its role in maritime travel, scientific experiments and everyday time management. It transformed time into a silent, interior flow crucial to a wide range of cultural projects: in Cairo classrooms or alchemical labs; in the cook’s kitchen or preacher’s pulpit. Alongside its critical intervention in the history of time, the project seeks to pioneer new scientific methods for analysing these fragile objects, with major benefits for their conservation in Australian and international collections.</span> </p> <p> <span>Applicants with the following background are particularly encouraged to apply:</span> </p> <ul> <li> <span>An undergraduate or master’s degree with a specialisation in medieval and/or early modern studies</span> </li> <li> <span>Proficiency in one or more languages other than English, with preference for German, Latin, French, Italian, Spanish or Portuguese</span> </li> <li>Awareness of current methods in the history of material and visual culture. </li> </ul> <p> <strong><span>Eligibility</span></strong> </p> <p> <span>Applicants must satisfy the minimum entry requirements for the Doctor of Philosophy-Arts at the University of Melbourne and demonstrate strong research ability and potential.</span> </p> <p> <span>Applicants will normally have completed a master’s degree or an Australian honours degree (or equivalent) that includes a thesis subject, with academic results equivalent to a University of Melbourne H1 standard. This generally means achieving at least 80% overall and 80% in the thesis or major research component.</span> <br> <br> <span>Applicants must review the Doctor of Philosophy (Arts) entry requirements before submitting an Expression of Interest.</span> </p> <p> <a href="https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements" target="_blank" rel="noopener"><span>https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements</span> </a> </p> <p> <strong><span>How to apply</span></strong> </p> <p> <span>Expressions of Interest close <strong>Monday 21 September at 1700 (Melbourne time).</strong></span> </p> <p> <span>To apply, click the <strong><em>‘Submit Expressions of Interest’</em></strong> button at the top or bottom of this advertisement.</span> </p> <p> <span>Upload the following three documents as part of your Expression of Interest:</span> </p> <ol> <li> <span><strong>Academic transcripts</strong> for all completed or in-progress tertiary study</span> </li> <li> <strong>A one-page project description</strong> outlining a proposed research project examining the history of the hourglass between 1300 and 1600CE </li> <li> <strong>A current resume.</strong> Applicants are encouraged to use the Faculty’s resume template [<a href="https://go.unimelb.edu.au/otz2">https://go.unimelb.edu.au/otz2</a>]. Before uploding, please append to the end of the resume <strong>a 500-word statement</strong> describing your intellectual interests in the history of temporalities and material culture. </li> </ol> <p> <em>Only shortlisted applicants will be contacted and invited to interview. </em><br> <br> <span>Applicants who are successful at the Expression of Interest stage will be invited to submit a formal application for admission to the Doctor of Philosophy- Arts. An invitation to submit a full application does not guarantee admission or the award of a scholarship.</span> </p> <p> <span>For further information about the application process, please visit the Faculty of Arts Graduate Research applications webpage.</span> </p> <p> <a href="https://arts.unimelb.edu.au/study/graduate-research" target="_blank" rel="noopener"><span>https://arts.unimelb.edu.au/study/graduate-research</span> </a> </p>

findanexpert.unimelb.edu.au

We are dismayed to learn about further proposed HE cuts, this time at the University of Hertfordshire and the University of Exeter. In solidarity, please join us by signing and sharing the two urgent petitions below. 🚨🖊️ 1/3

📣 Call for Applications 📣 History Workshop is seeking to appoint one Editorial Fellow in 2026, with specialism in pre-1800 CE history from any part of the globe. This is a part-time, paid role. Application deadline: 7 August 2026. Please share widely!

Call for Applications: Editorial Fellowship at History Workshop, 2026

History Workshop is seeking to appoint one Editorial Fellow in 2026, with specialism in pre-1800 CE history from any part of the globe.

historyworkshop.org.uk

Holding it Together: Making, maintaining and mending from the Early Modern to the present 🪡 25-26 June Alison Richard Building, CB3 9DP https://bit.ly/4e6qX1h Makers, menders, artists, curators and historians will put early modern preservation cultures into conversation with contemporary practice

Holding it Together: Making, maintaining and mending from the Early Modern to the present.

The relationship between smells and sleep is gaining increasing attention but it is by no means a new topic of interest for those seeking to sleep well and stay healthy. @sashahandley.bsky.social and @drhollyfletcher.bsky.social discuss the importance of sleeping well in early modern England.

Sniff Your Way to a Good Night’s Sleep

Today's 'sleepmaxxers' are part of a long and rich historical tradition dating back hundreds of years. Sasha Handley and Holly Fletcher discuss the importance of sleeping well in early modern England.

historyworkshop.org.uk

What a joy to launch 'Body Size in Early Modern Germany' into the world on Tuesday (my mum enjoyed it too via zoom)!! I could not have asked for more generous and thought-provoking responses from Felix Jäger & Lyndal Roper. And was clearly captivated by Hannah Murphy's brilliant closing remarks!

A photo of an audience watching a speaker present. The screen shows images from an early modern costume book.A photo showing a speaker at a lectern and three people seated at a table in front of a projector screen. The screen shows a zoom call in progress.

What a joy to launch 'Body Size in Early Modern Germany' into the world on Tuesday (my mum enjoyed it too via zoom)!! I could not have asked for more generous and thought-provoking responses from Felix Jäger & Lyndal Roper. And was clearly captivated by Hannah Murphy's brilliant closing remarks!

A photo of an audience watching a speaker present. The screen shows images from an early modern costume book.A photo showing a speaker at a lectern and three people seated at a table in front of a projector screen. The screen shows a zoom call in progress.