Dr Eleanor Baker

@eleanormaybaker.bsky.social

Lecturer in Medieval English and AFY English Subject Lead (Ox) ¶ Author of BOOK CURSES for Bodleian Publishing ¶ Being critically creative @guildmedmak.bsky.social‬ ¶ Liker of material texts, medieval folk horror, university access & print making ¶ She/her

Does anyone have any reading recommendations for creative-critical practice in book history (both terms broadly conceived, as they can only be)? Very accepting of the 're-'s (remaking etc) but also interested in other approaches.

Today we typeset and printed a sonnet at the Bodleian Bibliographic Press. We were supposted to correct the setting after a first print, but the students became attached to their accidents so we printed lots of (perfectly) faulty ones.

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Today I had the option of working on my own (disgusting, evil, bad) writing for an hour OR taking part in my students' early modern letterlocking seminar. Guess which one won out. All credit to letterlocking afficionado and session leader Dr Daniel Starza Smith (and his bespoke LMH seal stamp).

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This session is fantastic - it is extremely fun, no pressure, and makes you think through 'distilling' a text in different ways. Come for critical underpinnings, stay for zero-judgement creative play, leave with medieval creative-critical excitement.

Kristen Haas Curtis@hellomizk.bsky.social · 3w ago

Heading to the @newchaucersociety.bsky.social Congress in Freiburg in a couple weeks? Come make adaptation comics with @drlauravarnam.bsky.social and me! ZERO drawing skill required. The link is available in the most recent email from the NCS organizing committee.

'A coding repository feels like a palimpsestic space [...] like the marginalia found in our favourite manuscripts' Our latest Meet a Medievalist Maker post is by Victoria Craggs, the senior designer and developer who created the New Chaucer Society Biennial Congress 2026 posters!👇

Meet a Medievalist Maker: Victoria Craggs — The Guild of Medievalist Makers

“ Meet a Medievalist Maker ” is an ongoing series of blog posts introducing our members and the work they are doing. Each post is organized around our Four P’s: a project they are working on...

guildmedmak.com

Counting down the days to #IMC2026, especially our panel on M. R. James and Old English! First, Emily Dixon will give a fascinating paper on reading Old English Soul & Body poems through ‘The Mezzotint’, then I’ll talk about James’ work on the Jamnes and Mambres fragment in Cotton MS Tiberius B.v.

16:30-18:00 on Tuesday 7th July. Session 845: New Perspectives on M. R. James: Scholarship and Creative Practice.‘An Education in Reading Horrific Bodies: Reading Old English Soul and Body Poems in the Context of M. R. James’ The Mezzotint’ - Emily Dixon, King’s College London‘M. R. James, The Marvels of the East and a ‘Forgotten Fragment’ of Jamnes and Jambres’ - Charlotte Bowyer, King’s College London