Elliot Jay Stocks

@elliotjaystocks.bsky.social

👋 Designer / author / speaker 📗 Fine Specimens 📗 Universal Principles of Typography 👨‍💻 Adobe Fonts ⌛️ Google Fonts, 8 Faces, Lagom ⚠️ (Views are my own) 🔗 https://elliotjaystocks.com/links

Has anyone tried opening an existing Claude Code project in Claude Design? The disconnect is bizarre. You can change things, but they don’t get pushed back to the main project — they exist in a weird limbo or duplicated files.

This makes for an amusing and sobering read. “No external dollar of profit has entered this system. Nobody outside the circle has paid for anything useful. [...] It is a group of friends standing in a circle, each handing the next one a ten dollar bill.” /via @densediscovery.bsky.social

Tokenomics are Coming

tokenomics There is an old joke about a man who sells ten dollar bills for five dollars each. When asked how the business is going, he says it is booming,...

webaligo.bearblog.dev

[1/7] For the last 6 months, while searching for a Spotify alternative, I’ve tried all the streaming services, slowly writing a blog post about my experience with each. Now that post is finally live! And here’s a brief thread if you’d like the main points summarised. (Views are my own, obviously.)

Elliot Jay Stocks | The search for a Spotify alternative

Elliot Jay Stocks is a designer and author, usually doing something with typography

elliotjaystocks.com

New on Adobe.Design: a short piece by me on using grade to elevate typography. Grade before might at first seem like weight, but where weight serves to differentiate (adding emphasis and contrast), grade’s purpose is to unify (bringing consistency to text that looks different when it shouldn’t).

Keeping type consistent in changing conditions

Grade is a subtle typographic adjustment that preserves visual balance across shifting contexts

adobe.design

The Fine Specimens book tour has come to an end, and my last pop-up newsletter, covering the final stop in Paris, is almost ready to go out. (Turns out I had more to write than I thought.) Ahead of that, here’s a little photo montage, as per this little tradition. What a lovely few days.

A montage of photos taken at and around TypeParis Now26 in Paris, May 2026, showing various street scenes of Parisian cafés and brasseries and passages, a table full of Fine Specimens and Universal Principles of Typography for sale at the conference, Flavia Zimbardi speaking on stage, close-ups of beer and coffee, a selfie with Sebastian Carewe, and the Mona Lisa at the Louvre.

I find myself flip-flopping daily between enthusiasm for AI and despair at AI — although I guess one is excitement about tech potential, and the other is cynicism about the industry itself. Either way, the negative effects are real, and @ethanmarcotte.com is always articulate in his criticisms.

Ethan Marcotte@ethanmarcotte.com · 2mo ago

🦊 Wrote down some rambling thoughts on “AI”: as generational damage, on what repair might look like, and on asking what happens next. ethanmarcotte.com/wrote/all-to...

Long shot, but does anyone have any contacts high up (ish) at Three, the UK mobile network? Got a serious account issue they’re refusing to resolve, and it’s been going on for months. (Ah, for a simpler time, when I could just name and shame them on Twitter and get an instant response.)

This review perfectly sums up Widow’s Bay: “[…] a horror-comedy that manages to be both an incredibly funny and dense laugh-out-loud joke machine and a genuinely scary and menacing fright fest. Neither generic marker takes precedence over the other; they are mutually, ecstatically intertwined.”

Widow’s Bay Is a Menacing and Hilarious Mash-up

At a time when much TV recycles familiar formulas, the Apple TV series feels like something new.

newrepublic.com

I recently had the pleasure of chatting to Diana Varma on her Talk Paper Scissors podcast. This was my second time on the show and once again, she asked some great questions. Thanks for having me, Diana! (You can listen to it from wherever you get your podcasts.)

307: Fine Specimens with Elliot Jay Stocks of Adobe Fonts

I love a beautiful book about typography (who doesn’t?!) and this one, that we’re about to get into, is a BEAUT! Our guest today is Elliot Jay Stocks and I am obsessed with his other book (Universal P...

talkpaperscissors.info

Well, the time has finally come: tomorrow is the fifth and final date of the Fine Specimens book tour! I’ll be selling and signing copies of the book (and UPoT) during the breaks of @typeparis.com, as well as speaking on a panel at the end of the day. If you’re there, please come and say “salut”!

A list of 5 tour locations, dates, and venues for the Fine Specimens book tour: Bristol on 10th March, Brussels on 1st April, Düsseldorf on 27th April, London on 14th May, and Paris on 30th May.

It‘s hard to believe that Type&Faces — which was stop #4 on the Fine Specimens book tour — was already nearly two weeks ago. A huge thanks to the team for having me talk and letting me sell copies of the book. And of course to everyone who came! Such a lovely crowd. Pop-up newsletter coming soon!

A montage of photos taken at Type&Faces in London, May 2026, showing Elliot talking on stage with his slides on screen, and signing copies of Fine Specimens, with people looking at copies of the book.

Anyone else testing the Mimestream iOS beta? I’m frustrated because... it’s too good! I was planning on de-Googling my email soon and Mimestream on macOS was the main thing holding me back, because it’s such a great (but Gmail-specific) app. Now it’s on iOS, too, there’s *another* reason to stay. 🤦‍♂️