Emily Doolittle

@emilydoolittle.bsky.social

Researcher & Lecturer in Composition, Royal Conservatoire of Scotland. Writes music & words with & about animal songs, zoomusicology, folkore, gender, parenthood & creativity, interdisciplinarity. Plays oboe with whippets: https://tinyurl.com/2wyxc4st

In my honest opinion you can absolutely recognise when something is AI-written because of the overuse of genuinely pointless intensifiers... (This is not AI-written though, I'm just channeling the style for illustrative purposes.)

People like to quote Bartok's (apocryphal?) dictum "competitions are for horses, not artists", but I always find myself thinking: what use has a horse for a competition? While highly flawed, competitions have some potential benefit for artists, whereas I imagine horses do not care about them at all!

I'm at that weird stage of getting into composing a new piece where I'm alternating rapidly between "I'm so excited, I've written 8 minutes of music" and "this is terrible, I'm going to scrap it all, I've done nothing!" Usually this stage settles down after a few weeks...

1/3 In my 30 years as an artist, I've seen the success rate of some grants go from, say, 1/3 to 1/30. Of course if you're 10% as likely to get a grant, that doesn't mean you spend 10% as much time on it: more likely you work harder. Instead of spending 3 hours on it maybe you spend 5.

1/3 In my 30 years as an artist, I've seen the success rate of some grants go from, say, 1/3 to 1/30. Of course if you're 10% as likely to get a grant, that doesn't mean you spend 10% as much time on it: more likely you work harder. Instead of spending 3 hours on it maybe you spend 5.

I hear traces of birdsong in my music even in non-bird-related pieces. I thought this was b/c I listen to birds so much. But I just listened to one of my pre-birdsong pieces & it sounds bird-ish too. Maybe it was my innate motivic & structural tendencies which drew me to birds in the first place?

Very happy to be visiting Fetlar (Shetland) 9 June to perform music by @emilydoolittle.bsky.social inspired by the folk tale Jan Tait and the Bear, plus works in which the clarinet evokes the sounds of gannets and whales.

Emily Doolittle@emilydoolittle.bsky.social · 3mo ago

If you'll be on Fetlar June 9 pls come to an evening of art & music w paintings about Jan Tait & the Bear by Meilo So & a concert by @amsouth.bsky.social of music abt bears, whales & gannets. Free & drop-in but if you book here we can bring enough snacks! Pls RT! www.eventbrite.co.uk/e/an-evening...

If you'll be on Fetlar June 9 pls come to an evening of art & music w paintings about Jan Tait & the Bear by Meilo So & a concert by @amsouth.bsky.social of music abt bears, whales & gannets. Free & drop-in but if you book here we can bring enough snacks! Pls RT! www.eventbrite.co.uk/e/an-evening...

An Evening of Art and Music at the Fetlar Community Hall

Paintings by Cullivoe artist Meilo So and music by clarinetist Alex South

eventbrite.co.uk

If you'll be on Fetlar June 9 pls come to an evening of art & music w paintings about Jan Tait & the Bear by Meilo So & a concert by @amsouth.bsky.social of music abt bears, whales & gannets. Free & drop-in but if you book here we can bring enough snacks! Pls RT! www.eventbrite.co.uk/e/an-evening...

An Evening of Art and Music at the Fetlar Community Hall

Paintings by Cullivoe artist Meilo So and music by clarinetist Alex South

eventbrite.co.uk