Emily Nussbaum

@emilynussbaum.bsky.social

Theater critic for The New Yorker, Approval Matrix Creatrix

The most terrifying enshittification I've discovered has been learning that Microsoft Word documents no longer auto-save if you are not saving them to one of their own proprietary cloud services. I'm slapping control-S like it's 1999.

I'm seeing a lot of SUPERHERO MOVIES ARE BACK posts in the wake of #BrandNewDay's success. Spider-Man movies were breaking box office records well before the MCU existed. They are a cinema phenomenon onto themselves, because Spider-Man is a singularly resonant and relatable character.

So far this week, we have watched two excellent movies about sadsack loser artist guys: one set in the 40s (Blue Moon), one in the 60s (Inside Llewyn Davis.) Is there a really good one set in the 80s/90s or later? (Could also be about a sadsack woman!)

While we are in this Greek Mythology moment, may I remind you that Emma Thompson is adapting Pat Barker’s take on The Iliad, and she’s struggled to get it made bc the focus on what acts of war against women and survival thereafter actually look like (the core of Barker’s narrative) is too intense.

Emma Thompson adapting feminist retelling of Iliad for big screen

The actress told the Hay Festival she is writing a film version of Pat Barker’s The Silence of the Girls to draw attention to sexual abuse in war zones

thetimes.com