eva carot

@evacarot.bsky.social

Illustrator and clumsy dark magic hunter. Rep: www.iemece.com Ig: www.instagram.com/eva_carot/

I created a huge illustration for the Warby Parker shop in Newton. It was a challenge because of its size, and also because I had to include some local landmarks, such as the octagonal school, a historic building, as well as one of the area’s most iconic birds, the Pennsylvania Ruffed Grouse.

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Reaching for a star ✨ This one turned out christmassy and summery at the same time. Did you know that Christmas in July is a thing? Consider this my contribution 🎄

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La peor persona que conoces acaba de subir un reel contando lo emocionada que está porque por fin va a empezar terapia con una psicóloga para "aprender a priorizarse".

In Scotland and Ireland beware strange horses. They may be the each-uisge. If you can saddle it and ride inland, you will have a fine horse, until it gets a whiff of sea-air. Then it gallops seaward, devouring you but leaving your liver to float upon the surface of the water... #FolkloreThursday

A horse with glowing eyes is rising from a watery pool amid the reeds.

“Between the foot of the bed and the closet door, I saw a person in my room. The person was a woman, standing looking at me, with a knife in her hand. It does no credit to my courage to confess it— but the truth IS the truth." (Wilkie Collins)   🎨 Edward Gorey   #phantomsfriday

Black-and-white, crosshatched illustration of a pale, long-haired woman in a simple floor-length white gown, standing rigidly front-facing in a dark field, one hand raised to display a small knife, her wide eyes and blank expression stark against the streaked, stormy background. Edward Gorey’s cover illustration for “The Dream Woman” by Wilkie Collins.

Siento como que estamos a menos de 5 años de que una editorial quiera trabajar con un ilustrador y a menos de 5 años de que un ilustrador quiera trabajar con una editorial.

Si queréis comprar un libro infantil que no esté hecho por una sinvergüenza monetizando una tragedia con un mondongo creado con la IA, haceros con "El bosque de los cuentos" del gran Hemato, con ilustraciones de Alberto Vázquez. Una cosa preciosa que te cura el alma. Fuck IA y gloria eterna a Hemato

Portada de "el bosque de los cuentos" por El Hematocrítico, y con ilustraciones de Alberto Vázquez.

Amaia tenía 41 años. Mai, 39. Yo tenía 40 cuando me diagnosticaron cáncer. El cáncer es una enfermedad multifactorial, y aquí abro el melón: las condiciones laborales como ilustrador/dibujante, enferman y matan. La precariedad, las noches sin dormir, los maratones en la silla, el estrés: matan.