Frank Vatel

@frankvatel312.bsky.social

Writer of noir fiction, designer of book covers. Derringer Award finalist. Published by Punk Noir, All Due Respect, Bristol Noir, Revolution John, and Reckon Review.

More people are saying “My thought process is…” when “I think” would suffice. Meanwhile, “provided a permission structure” has replaced “allowed.” It’s like the world’s most annoying faculty member is ghostwriting everyday speech.

“I’m a staunch evangelical who believes hell awaits people who defy Christ’s message. In my spare time, I place laugh emojis under clips of ICE dragging disabled women from their cars.”

William Conrad appreciation post: His breakout role as the gunman wanting the big dinner in The Killers (’46), Conrad played the ultimate sidekick in supporting roles like Body and Soul (’47), Tension (’49), The Racket (’51), and Cry Danger (’51). #filmnoir Your favorite?

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Truly amazed by FILTH, a grisly, mind-bending noir narrated by a sociopathic cop and his tapeworm. Irvine Welsh’s antihero is the spiritual descendant of Jim Thompson’s chaos-agent sheriffs, updated with a Scottish brogue and a longer list of vices. Filthy, yes. But masterful.

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It is a truth universally acknowledged that a college football team’s most obnoxious supporters never attended college there. Except for the Michigan Wolverines, whose worst fans scream at the housekeeper for leaving the wall-mounted, gallery-lit diploma slightly askew.

The coolest thing I’ve learned this year? There’s something in mathematics called a “RUTH-AARON pair.” The definition: two consecutive integers for which the sums of the prime factors of each integer are equal. e.g., 714 and 715

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Love this year’s #NoirCity theme. Titled “Face the Music,” the 2026 edition presents two-dozen crime films involving musicians. Just bought my pass for the Chicago run, Sept 4-10. Eddie Muller will host the opening weekend, as always. Anticipating some fun discoveries—and old favorites...

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TCM’s Summer of Darkness won’t get more “A-picture” than SUNSET BOULEVARD, tonight’s leadoff film. But stay tuned, afterward, for one of the great under-appreciated noirs. A bleak tale of adultery and murder, THE PROWLER pulls no punches and avoids cop-out endings. #TCMParty

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