ibcf

@ibcf.bsky.social

I like animation! Icon by @henrieke.bsky.social (colors by @liliuhms.com). I also host a Discord called "World Animation." Please read you'd like an invite - https://docs.google.com/document/d/1KmN6UbaCthgf8kLaL58Y2hKSuAJUuLLUiphEo02nVHQ/edit?usp=sharing

"A Dunesbury Special" is maybe the only genuine example of American "adult animation" I've ever seen in the sense that it addresses adult concerns and in the sense that any child who tried to watch it would probably find it pretty boring. It also maintains visual interest despite its verbosity.

RIP Yuji Ohno. His music on the Lupin III series, countless other shows and solo albums are an incredible body of work. I learned so much about composing and keyboard from studying his songs. Also I like that one of his bands was called Super Sexual Transport.

BildBildBildBild

One of my favorite aspects of the Popeye shorts is how, for awhile, every short had a new title arrangement! Often the cues were thematic: The Spinach Overture has a more brazen orchestral sound, like a fanfare; Brotherly Love is more pious (that bell!), Shiver Me Timbers has a literal shiver to it

Wanted to see if Procreate Dreams was more wieldy than the last time I touched it upon release (and it is, yay!) Been awhile since I've consciously done frame-by-frame animation rather than just keyframes, but nice to hop back on the saddle!

discord is useful for letting us curate our perfect communities of like-minded people but there was admittedly something to the town square nature of twitter that brought together people who’d normally never interact, forcing us out of our comfort zones. but also that was hell. i could never go back

More importantly, an amazing person who shaped a humane philosophy that the studio carried from its founding until now, and in the hands of his family, into the future. People who crossed paths with him remember both small acts of kindness and his ahead-of-their-time views on animation production

All my condolences about the passing of KyoAni founder & president Hideaki Hatta. No exaggeration to say that he's been one of the most important individuals in the history of this industry, especially if you consider that he also had a hand in IG's inception www.kyotoanimation.co.jp/information/...

京都アニメーションホームページ

京都アニメーションホームページへようこそ。アニメ作品情報、オリジナルグッズなどの情報満載です。スタッフコンテンツもお楽しみに!

kyotoanimation.co.jp

as some of you may know i run a discord called "world animation!" unfortunately due to the trials of moderating a discord we've had to make our invite process somewhat selective. if you're interested, here's a quick guide on how to join! docs.google.com/document/d/1...

JOINING THE WORLD ANIMATION DISCORD

JOINING THE WORLD ANIMATION DISCORD Priit Pärn’s “Aeg maha” (“Time Out”), 1984 The World Animation Discord is a server for talking about international animation and animation history! To request an...

docs.google.com

The fun part is they all have their own tricks! Kitanohara did something similar with objects rather than characters. Ota turned digital effects like sparkles, shading, reflections, etc into clearly drawn effects... then it all contrasts with the physical backdrop. "Handmade" from a different angle!

BildBildBildBild

The ways CITY's creative width becomes specific technical choices is also fascinating. Given how stylized everything is, each director basically adapts to the "level of technology" of the series. Ishidate started by translating photography ideas like being out of focus into the drawings themselves

BildBild

One of CITY's greatest achievements is pushing veteran artists to tackle new challenges. Joji Unoguchi started as an in-betweener in the 80s, became a leader of KyoAni's budding BG art crew, then spent decades as art & 3DBG director His role in CITY #05? Creating a diorama to set the episode into

Bild