The Iron Age of Comics

@ironageofcomics.bsky.social

A critical reevaluation of comic books from about 1985-2000. New episodes the first and third Wednesdays of the month, comics posts all the time. linktr.ee/ironageofcomics (Not affiliated with any other “Iron Age” comics-related entities.)

Shooter was a close reader, full stop, though almost always in a "Romans imitating the Greeks" manner where he could jot off an acceptable simulation that missed the nuances and soul of the source. I'm convinced that fed his arrogance and fueled the ire against him at Marvel.

Tegan O’Neil@teganoneil5000.bsky.social · 5d ago

Shooter was actually a close reader of Claremont: the X-Men get rolled for most of that event because Shooter was following what was happening in Uncanny and correctly ascertained that group, with those interior stresses, as the X-Men were in 1984 - would get rolled on Battleworld. and they did!

I saw the first Raimi Spider-Man for free because I worked at a movie theater, and now I am seeing the new Spider-Man for free because my son works at a movie theater. I expect him to have a son of his own and Marvel to keep making these movies so that we can keep this tradition alive.

NEW EPISODE! The Black Casebook returns with a suitably epic analysis of perhaps the single most influential story in Batman's history. Frank Miller and his collaborators called down the lightning to make this book; four decades later, we're still interpreting the thunder. pod.link/1618791941/e...

Casefile #20: The Dark Knight Returns

Listen to Casefile #20: The Dark Knight Returns from The Black Casebook wherever you get your podcasts!

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🚨 NEW VIDEO 🚨 SPIDER-MAN: CHAPTER ONE - WHAT WENT WRONG? I explain the history of John Byrne's Spider-Man: Chapter One, how this comic tried to reboot Marvel's flagship hero and why it ultimately failed. 👇 LINK BELOW 👇

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I’m watching that Masters of the Universe movie and it really makes you realize, like, even the most autopilot samey-same MCU movie is generally *charming,* you know? Charm is such an X-factor that will allow an audience to forgive so much. And you can’t fake it, it turns out.