Keiron Pim

@keironpim.bsky.social

Author, nonfiction writing tutor, editor, proofreader. Out now in paperback, Endless Flight: the Genius and Tragedy of Joseph Roth (Granta). Agent: @thehamiltonagency.bsky.social

The Richard Dadd exhibition at the RA is a revelation — wonderful to see The Fairy-Feller’s Master-Stroke up close in all its curious detail, but there’s much more to enjoy. I loved The Artist's Halt in the Desert and Reminiscence of Venice, and Dadd’s own writings from Bedlam and Broadmoor.

The Fairy-Feller’s Master-Stroke by Richard Dadd, currently on display at the Royal Academy’s exhibition Richard Dadd: Beyond Bedlam. The Artist’s Halt in the Desert by Richard Dadd, currently on display at the Royal Academy’s exhibition Richard Dadd: Beyond Bedlam. Reminiscence of Venice by Richard Dadd, currently on display at the Royal Academy’s exhibition Richard Dadd: Beyond Bedlam. Elimination of a Picture & its Subject - Called The Feller's Master Stroke, 1865 (a rhymed account of the painting The Fairy Feller's Master-Stroke, 1855-64, both on display at the RA)

The Richard Dadd exhibition at the RA is a revelation — wonderful to see The Fairy-Feller’s Master-Stroke up close in all its curious detail, but there’s much more to enjoy. I loved The Artist's Halt in the Desert and Reminiscence of Venice, and Dadd’s own writings from Bedlam and Broadmoor.

The Fairy-Feller’s Master-Stroke by Richard Dadd, currently on display at the Royal Academy’s exhibition Richard Dadd: Beyond Bedlam. The Artist’s Halt in the Desert by Richard Dadd, currently on display at the Royal Academy’s exhibition Richard Dadd: Beyond Bedlam. Reminiscence of Venice by Richard Dadd, currently on display at the Royal Academy’s exhibition Richard Dadd: Beyond Bedlam. Elimination of a Picture & its Subject - Called The Feller's Master Stroke, 1865 (a rhymed account of the painting The Fairy Feller's Master-Stroke, 1855-64, both on display at the RA)

A good evening for hunkering down and finishing my current drawing while the rain lashes at the window. This is number three in my series illustrating the old song ‘The Fox and the Goose’.

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A good evening for hunkering down and finishing my current drawing while the rain lashes at the window. This is number three in my series illustrating the old song ‘The Fox and the Goose’.

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As if any confirmation were needed that Instagram’s community standards on hate speech are not fit for purpose… this is just one of a stream of explicitly antisemitic comments by the same guy.

An Instagram comment saying “Name me three good things the Jew has done for any country?? , three good things they have done for Britain ,, if that makes it easier” — punctuation as in the original comment. Instagram confirming that this antisemitic remark does not contravene their Community Standards.

In 2013, I ‘leaked’ George Osborne’s budget and nearly got fired for it. A few years later, Osborne was appointed as the paper’s editor, another blow to its credibility. I’ve written the sad/mad inside story of the fall of the Evening Standard - enjoy! www.the-londoner.co.uk/falling-stan...

Falling Standards: How Evgeny Lebedev saved - then sank - London’s newspaper

‘Everyone was being run ragged by his absolutely ludicrous requests and tantrums’

the-londoner.co.uk

Me to the woman in a Spanish patisserie when trying to find something dairy-free for my daughter, fumbling around for the word for butter, remembering the French ‘beurre’ and then that there’s a similar-sounding Spanish word: “No burro, por favor?” No wonder she gave me a funny look.

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Me and my beloved Uncle Brian, c.1985. He sent me this pic a few years ago, explaining that it brought back fond memories of the day he first taught me how to light a crack pipe. Brian Case, 17.8.1937-13.7.2026. One of the UK's greatest writers on jazz and the funniest man I've ever known.

Keiron Pim, aged about seven, and his uncle Brian Case in Burnham Overy Staithe, north Norfolk, circa 1985.

He covered the waterfront in popular culture, knew so much and wrote so smartly. The Hip still on a front room shelf here. I think of him when I hear Chet Baker and remember his writing about Mr Chet. So sad for you and the family.

Me and my beloved Uncle Brian, c.1985. He sent me this pic a few years ago, explaining that it brought back fond memories of the day he first taught me how to light a crack pipe. Brian Case, 17.8.1937-13.7.2026. One of the UK's greatest writers on jazz and the funniest man I've ever known.

Keiron Pim, aged about seven, and his uncle Brian Case in Burnham Overy Staithe, north Norfolk, circa 1985.

A proud moment for me — the first time I’ve seen my artwork hanging on someone’s wall! This is my drawing of a 400-year-old chestnut tree and its population of jackdaws at Hevingham church, Norfolk. Limited edition prints are available at Anteros Arts in Norwich, or by mail order if you DM me.

An A3 print of a picture titled ‘Old Chestnut Tree with Jackdaws, Hevingham’, framed and hanging on a wall after being purchased from Anteros Arts Foundation, Norwich. A scan of the original drawing.

This afternoon I interviewed Robert Elms about this book inside the SS Robin, an iron-hulled steamship moored in Trinity Buoy Wharf, London E14. I am judging the event a huge success on the basis that no participants or audience members died of heatstroke.

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One of the things I love best about Norfolk is that you can drive past a pretty little medieval church in the middle of nowhere, park up and push open the heavy old door, and find… this! Little Witchingham church, Norfolk NR9 5PA

14th century wall paintings at Little Witchingham church, Norfolk, UK 14th century wall paintings at Little Witchingham church, Norfolk, UK. This one is of Doubting Thomas and Jesus. 14th century wall paintings at Little Witchingham church, Norfolk, UK 14th century wall paintings at Little Witchingham church, Norfolk, UK

I’m delighted to say that after years of wondering whether drawing could be anything more than a hobby, I plucked up the courage to ask a gallery if they would sell my work and they said yes! Limited edition prints are now on sale at Anteros Arts Foundation, Norwich (www.anterosfoundation.com)

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I’m delighted to say that after years of wondering whether drawing could be anything more than a hobby, I plucked up the courage to ask a gallery if they would sell my work and they said yes! Limited edition prints are now on sale at Anteros Arts Foundation, Norwich (www.anterosfoundation.com)

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